Ingmar Bergman at 60

Looks at the work of Brazilian photojournalist Sebastiao Salgado (b.1944). In his monumental photo-essay, Workers, Salgado’s dominant theme is the displacement of manual labor by technological advances. He documents the effects of this new industrial revolution on laborers in Eastern Europe, Cuba, Gdansk, Brazil, India, Sicily, and Bangladesh. Includes archival footage of Salgado’s life and commentary by artists, photographers, critics, and writers such as Jorge Armado, Robert Delpire, Jimmy Fox, and Arthur Miller.

John Barton holds a master class in how to play Shakespeare, using members of the RSC doing scenes, sonnets, and commentary as prime examples.

This is a history of the England's Ealing Film Studios, from its beginnings in 1902. It follows the studio's successes through the 1930's, World War II dramas, the well-known 'Ealing comedies' with Alec Guinness, and the BBC's television productions

Linus Roache stars as troubled painter Vincent van Gogh in this drama from the BBC’s Omnibus series. Struggling to make ends meet first as an art dealer, then as a missionary in a coal mine, van Gogh was tormented by elusive love and madness. After notoriously cutting off his ear and spending a year in an asylum, we see the artists struggles and passions throughout his life.

Since ancient times, the Green Man has been one of the most mysterious and menacing of mythical characters. He also has a familiar face as Robin Hood, Jack in the Green and on numerous pub signs. Across the arts from comic strips to classical opera, the Green Man is now making a comeback. Where is he taking us? Writer Sir Kingsley Amis, film director John Boorman, composer Sir Harrison Birtwistle and other leading artists offer their interpretations of the mystery in this Omnibus documentary film from 16th November, 1990.

Raoul Dufy (1877-1953) is perhaps best known for his colourful and joyous fauvistic paintings but also produced a dazzling array of ceramics, wall-hangings, dress fabrics and furniture designs. This film, which includes interviews with patrons, dealers and models who knew Dufy, puts the case that he was one of the fines draughtsmen of the twentieth century, a designer whose influence is still much in evidence and a painter of genius to rank alongside Matisse and Léger.