Once Is Enough

In Brazil, a diamond prospector sets out in pursuit of a thief who has robbed him and left him for dead. Along the way, he meets one of his adversary's former mistresses and tries to extract some information from her.

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

A young French, Vignerte, is hired in the court of Lautenberg, an imaginary land, as the young Prince's private teacher and as the Grand Duchess' reader.

Returning from the cemetery where he has just buried his wife, Captain Blomet is on the point of committing suicide, when his valet reveals to him that the deceased had 17 lovers. Blomet undertakes to wash his honor in different ways according to his rivals.

Suzette and Jack form a very nice and rather well-matched couple. The latter is the partner of the new clown Teddy who seems to please the young lady a lot.

Young lovers Orfeu and Eurydice run through the favelas of Rio during Carnaval, on the lam from a hitman dressed like Death and Orfeu's vengeful fiancée Mira and passing between moments of fantasy and stark reality. This impressionistic retelling of the Greek legend of Orpheus and Eurydice introduced bossa nova to the world with its soundtrack by young Brazilian composers Luiz Bonfá and Antonio Carlos Jobim.

A beautiful dancer has two admirers -- one is a young worker whom she has only met by accident, and the other is an unscrupulous businessman. The worker had been training as a Buddhist monk and as his interest in the dancer and the businessman's pursuit of the woman develop, the dancer and the former monk end up at the archaeological site of Angkor.

As part of the fascination in post World War II France with American culture, a young French couple here travel to the US to see for themselves the prosperity they have heard about.

The adventures of Otalia, a strangely innocent young Brazilian prostitute who has just arrived in Salvador, Bahia. Though her belongings are stolen from her shortly after arrival, Otalia swiftly meets up with a group of charming and helpful friends.

1944. Léon Duchemin owns a restaurant with his sister. His clients are Germans, Résistance et black marketeers. Léon unwillingly joins the Résistance when a British pilot is shot down and hides in his attic and, through a series of mishaps, he accidentally steals the plans for Hitler's V1 missiles.

Bourgoin uses Philippe to attract customers from another establishment to the nightclub he wants to open in Pigalle.

This French musical comedy was based on the stage play Mademoiselle Mozart, written by Yvan Noe, who also directed and produced the screen version. Danielle Darrieux plays Denise, the owner of a music shop that is facing closure. Wealthy young Maxime (Pierre Mingand) falls in love with Denise but knows full well that she despises rich folks and would refuse to accept his charity. Thus, Maxime arranges to secretly buy the store then takes a job with the establishment as a humble sheet-music salesman. When Denise finds out that her new employee is actually her boss, she is furious, but rest assured that Love Will Find a Way. The lovely Danielle Darrieux is permitted to sing on several occasions, which she does enthusiastically if not altogether expertly.

A man is shot In the hotel of an imaginary South American country. Clarence and Montès, two inspector students, must solve this murder, but they don't know that dead guy is the USA public enemy No.1.

This devil of a man plunges the viewer into the very heart of the Voltaire whirlwind, that incandescent mind who shook his century. The series follows his meteoric rise, his exiles, his battles and flashes of genius, in a Europe still tightly bound by absolutism. We discover an unbowed, charming, formidable man whose pen makes ministers, kings and fanatics tremble. Between glittering salons, damp prisons and passionate loves, Voltaire crosses the Age of Enlightenment like a meteor. Each episode reveals a confrontation, a flight, a victory wrested through the sheer force of intellect. Carried by elegant direction and a sweeping, novelistic energy, the series paints a vibrant portrait of a fighter for freedom. A journey into the life of a man who never stopped thinking, loving and provoking.