The Clairvoyant

Russia, early 90s. Mariya, the owner of a small video rental store in an abandoned cinema, has her son disappear under strange circumstances. To understand what happened and find her son, Mariya has to cross the path of crime boss Egor Bocharov, make friends with fugitive criminal Dmitriy Shilin, reveal the secret of the ghost living in the cinema and find out how he is connected with the mysterious film number 8.

The main character is a police major, single father Sergey Kochet. His wife died in childbirth, and the man is raising his daughter Veronica alone. The girl sees the ghost of her dead mother in the mirror, communicates with her. Sergey thinks that the baby just lacks maternal affection, and thus she is just trying to make up for the loss. However, he has to change his mind when Veronica has an unexplained seizure and falls into a coma. Rooster finds a notebook with his daughter's drawings: they depict strange scenes with people he doesn't know, which mysteriously begin to come true. It turns out that little Nika can predict the future?

Moving from rural Russia to the city, Den faces a new reality.

Anna, a sociology student from a prosperous family, must pass her internship and goes outside to conduct a study, during which it is necessary to find out how modern Russians see their future.

The students go on wild adventure when a modern Genie appears suddenly from a can of soda. He has a mission to fulfill, as a result the three students are transported instantly to the Indian state of Goa, where one of he students named Guch (Sergey Chirkov) gets a date with the lovely classmate of his Lena (Anastasia Tsvetaeva).

A convict named Valiko, a Georgian by nationality, accidentally took part in a prison escape. But local villagers mistake him for a new Franch teacher and employ him in their local school.

Two directors begin casting a film about the 1990s, which gradually devolves into a space of uncertainty where the distinction between document and fiction disappears. This subtle disruption in the process—the appearance of a single actor obsessed with "accuracy"—leads to a loss of control and implicates them. At the edge of this experience, between life and death, both directors find themselves inside their own, never-made film.

Anya takes the blame for her friend and becomes the target of bullying from classmates in the real world and on social networks.

Nina is slightly over 30. So without meeting real love, she decides to "give birth to herself." Just finding a normal candidate for the role of "dad" is not so easy. To help his sister comes resourceful Galina, who works in the center of reproductive medicine. She selects the best "gene pool" for her future nephew. Donor becomes a chic and ... unsuspecting customer center - businessman Valery Uvarov. ECO is successful, and Styopka appears ... Six years later, the life of the heroine is on the right track: her son is growing up, there is a highly paid job, but ... Suddenly she finds out that her boss, biscuit and tyrant, it turns out, is Styopka's father ...

Improvisation on the topic of modern politicized television with elements of banditry.

Artyom is 15 years old. This is the same age when you are not an adult, but also not small. It was in this, the last summer of childhood, that everything fell on Artyom at once: the betrayal of his father, who remained abroad after the tour, first love, friendship forever and quarrel forever. Artyom has only a skateboard - this is how in the 80s in the USSR they called skate, which Soviet teenagers had just begun to learn about. Now Artyom needs only one thing: by all means to win in street competitions.

Historical period melodrama.

A new version of "Romeo and Juliet", only the events of the film are developing in modern Moscow, and the main characters are a carefree motorcyclist named Flame and the daughter of a billionaire Lena.