Hans im Glück

Nina, 30, a Ukrainian language teacher who can't leave the city of Luhansk, occupied by separatists in Eastern Ukraine, is forced to undergo retraining courses for teaching Russian. Andrii, 17, is a student who was orphaned in the aftermath of the war. They cross paths when Nina witnesses Andrii being arrested by the police after hanging the Ukrainian flag from the roof of his school. Nina knows that because they live in a world of injustice and lies Andrii can stay in jail for a long time, and she risks her life to free him. As they gravitate towards each other, they try to remind people in the occupied territories that they deserve a future, too.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Otto is the only one who is able to save his Frisian fatherland; but he needs the help of his brother, who is abroad. But his brother does not want to fulfill what he has sworn as a child. So it takes Otto a while to convince him while time is running low for his plans to save East-Frisia.

Sebastian (Mark Waschke) is a physics professor at the University of Jena and dealing for years with parallel universes. Meticulously, he tries to prove its existence scientifically. His college friend Oskar (Stipe Erceg), professor of theoretical physics at CERN in Geneva, smiles at Sebastian's firm belief in parallel universes and the many-worlds theory. In order to devote himself to the evidence in peace, Sebastian brings his son Nick to a summer camp, while his wife Maike (Bernadette Heerwagen) is on vacation in the mountains. At a rest stop Nick disappears out of the car and so for Sebastian a nightmare begins. Increasingly he is loosing more and more control. What really happened? It is fatal to his own theory? And who is this mysterious Schilf, which occurs abruptly in Sebastian's life?

Where shall we put grandma? Her permanently anxious and stressed daughter, Marie, knows exactly where: the neighbourhood’s idyllically situated retirement homem where she can find friends of “her own age”. But Granny has other ideas: She wants to see the Pope in Rome, and no one can stop her plan. She wants to finally confess a troubling sin to the highest possible power. She resolves to make the journey alone, and ends up one day on the doorstep of her granddaughter, Martina. What she doesn’t know is that Martina has a secret too, and that a private audience with the Pope is virtually impossible for mere mortals. Together with sly bon vivant, Lorenzo, the three set off on an adventure – but their attempt to receive a Papal blessing almost ends in disaster.

This is a far-reaching interrogation of something that’s usually regarded as the undoubted precondition of life (generally) and filmmaking (specifically): an objective, at best yet interpretable reality. Starting with Gerhard Mack, retired professor of theoretical elementary particle physics at the Deutsches Elektronen-Synchrotron (DESY) in Hamburg, Claudia Lehmann and Konrad Hempel set out on a filmic expedition that aims for the universal and at the same time delves into the molecular (and smaller) realm, asking for the meaning of every kind of life in our complex world.