Dead Weekend

A musical documentary film about the politically minded singer/songwriter Steve Earle.

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

TV Party was a public-access television cable TV show in New York City that ran from 1978 to 1982. Glenn O'Brien was the host. Chris Stein, the co-founder of the pop band Blondie, was the co-host and Walter "Doc" Steding was the leader of the TV Party orchestra. Amos Poe was the director. Guests included Mick Jones, David Byrne, Debbie Harry, James Chance and Jean-Michel Basquiat. Brink Films has re-released some of the best of the 80 plus episodes on DVD, as well as a documentary about the TV show.

The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.

A narcissistic runaway engages in a number of parasitic relationships amongst members of New York's waning punk scene.

A man's family comes for his 77th birthday and while he loves all of his children and their children, he and his children don't exactly connect. However, he connects with his grandchildren. And he tells them what he wants for his birthday and they do what they can to give it to him.

The cream of the New York new wave/punk crop, filmed live at CBGB when the scene was just beginning. Includes performances by Patti Smith, Blondie, Television, the Ramones, Talking Heads, the Heartbreakers, the Shirts, Wayne County, the Marbles, the Dolls, Miamis, Harry Toledo, and the Tuff Darts (w/Robert Gordon).

A French special op suffers an existential crisis as he wanders New York City in search of a mission and the requisite connections.

The life of a woman is transformed after she is diagnosed with a terminal disease, fired from her job and abandoned by her boyfriend. Given two months to live, she throws caution to the wind to pursue her dreams.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

A New York City drug dealer decides to get out of the business, but has to flee from mobsters.

Joey is a player, a hot-shot movie agent in New York. If a deal can be made, he'll make it. If a rising talent can be snapped up, he'll be the first in line. And when it comes to luring Hollywood in a bidding war for a script nobody's read, Joey is your man. Joey's definitely cruising in the fast lane. Bu there's one thing Joey has never taken the time to do... live. Joey's programmed life is turned topsy-turvy by a series of unexpected events which culminates in a serendipitous romance with a throughly remarkable young Jamaican woman.

Sketched loosely, the narrative of Poe's first feature is as scrappy and paper-thin as its protagonist Rico, a self-styled loner in New York City circa 1976 who longs to inhabit the "New Wave" scene of mid-60s Paris. In Rico's day-to-day life as an unsuccessful photographer, he wearily searches for authentic connection-- even as he spouts the most inauthentic prose imaginable.

Two friends vie for the attention of a stranger who passes out at their doorstep.

The Levys, a glamorous couple, used to make their living robbing golfers, until they met their fatal handicap. Years later, scriptwriter Remy Gravelle decides to observe the Levy progeny as they sail endlessly round Manhattan in their luxury yacht.

A group of unemployed theater actors survive by working as illegal money collectors. The loan shark they are working for owns an Off-Broadway theater. As he decided to play "American Buffalo" there, a bloody battle for the favorite roles begin.