Everybody Say Cheese

Tales Out of School is a British anthology of television plays by David Leland: Birth of a Nation, Flying Into the Wind, R.H.I.N.O.: Really Here in Name Only, and Made in Britain.

Danton's Death is arguably the most dramatic and penetrating study of revolution ever written. Georg Büchner concentrates on that moment in 1794 when the Reign of Terror, already well established, spills over into a total blood-bath. The play, adapted by director Alan Clarke and Stuart Griffiths, both highly imaginative and closely documentary, shows how the great hero of the early phase of the Revolution, Danton, sickened by the excesses of the guillotine, which he helped to create, wants to call a halt. But Robespierre and Saint-Just, leaders of the Jacobins, with a ferocious puritanical zeal, spur on 'the wild horses of the Revolution'.

A cool hard study of 'the art of the deal' on a global scale. Sir Peter, the chillingly affable chief exec of big British multi-national UKM, learns that the Soviet Union's chief scientists are in London with government credit to spend. He's keen to flog them a tyre-production plant. based in the Ukraine, which will unshackle UKM from bothersome unions at home. But at the negotiating table, it fast becomes apparent that the Soviets are more interested in the laser technology UKM employs to vulcanise their tyres; and Peter starts to foresee a new future in military aerospace for his ever fiexible firm.

Max Glanville, a judge whose attention wanders throughout a trial for criminal assault, makes an error in the sentence - which he has to correct. The judge sees himself as a protector of democracy, but his daughter, Susan, regards him as the greatest living argument for euthanasia.

An avant-garde omnibus that features works by off-the-wall artists in many different disciplines.

Christine is a pasty-faced teen in a windbreaker and ill-fitting striped shirt who walks endlessly from one friend's house to another, delivering heroin while their parents are absent.

Through a series of real and imagined encounters with angels, demons, and England's pagan past, a pastor's son begins to question his religion and politics, and comes to terms with his sexuality.

Harry and Emily are two of the livelier residents of a London old people's home. When they decide to get married, things prove less simple.

Sovereign's Company is the story of a boy from an army family with a long tradition of honour and distinction, who goes to a military academy as an officer cadet and finds himself temperamentally unsuited to the life.

18 short plays written especially for TV, an opportunity for up-and-coming directors such as floor manager Alan Clarke, who ended up doing 10 of the episodes. Some top ranking performers were attracted to the series.

Carlin is a new reform school inmate with a reputation as a hard case. The authorities encourage gang leader Pongo to humble Carlin, but Carlin overtakes Pongo as Daddy of the ward. The guards institute a reign of terror and neglect, with Carlin emerging as an unlikely leader.

A view of the inhabitants of a derelict road in Manchester, unsatisfied with their lives and routines. A young man locks himself away from the world. An older woman flirts with a soldier on leave. Two men invite two girls into an empty house.

Series of single made-for-television dramas.

Carlin is a new reform school inmate with a reputation as a hard case. The authorities encourage gang leader Pongo to humble Carlin, but Carlin overtakes Pongo as Daddy of the ward. The guards institute a reign of terror and neglect, with Carlin emerging as an unlikely leader.

16-year-old skinhead Trevor has no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. Social worker Harry Parker tries his best, but Trevor is only interested when there's something in it for him. The centre authorities try to conform Trevor to the norms of society, but he takes no notice, and would rather speak in a torrent of four-letter words and racial abuse.

Alan Clarke's standalone film first appeared as an episode of the BBC series "The Edwardians" and concerns notorious bon vivant, swindler, MP, public speaker, founder of the Financial Times and publisher of John Bull magazine, Horatio Bottomley.