Every Week Seven Days

Set in 1960s Bratislava, the film follows a cynical, thirty-year-old architect named Andrej who unexpectedly falls deeply in love with Vanda, a free-spirited and spontaneous young woman. However, their burgeoning relationship is quickly strained by his growing possessiveness and desire for a traditional marriage.

A contemporary story about the emotional maturation of fifteen-year-olds, their relationships with school and their future profession. A secret group of "Timurs" works at the school, which condemns shortcomings in behavior and works for the benefit of the students. Against the background of their detective work, the relationship between Ivan and Dana develops, which is disrupted by Dana's irreversible vision defect.

Oldrich "Fajolo" Fajták (Marián Bielik), a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová (Jana Beláková), takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.

This is a ballad about love, hate, and a search for a way out of loneliness. It is a dramatic story about the strange potter, Martin Leaps, nicknamed Dragon, who is suspected by the villagers as the cause of natural disasters. He lost his wife, his home, and his freedom due to false accusations. After years he returns to his native village. Putting his own life to risk, he saves a herd of cows from a forest fire in the hills. But not even this heroic deed helps him to win back the friendship of the locals.

Barnabáš Kos, a meek and modest triangle-player in a state orchestra finds himself unfathomably promoted to musical director. Now drunk with power, the once timid musician turns into a poised, commanding peacock and seeks to transform the orchestra to suit his own agenda and inflated vision.

Concentration camp commander Kraft finds out that prisoner Kominek is a former professional boxer. Overnight, the prisoner is made Kraft's exercise partner and unwillingly rises to a privileged position at the camp. His anger over the death of his friend and co-prisoner leads to open revolt. The film brings a new view of human degradation during fascism by a tragic story of one man whose only chance for survival is to accept the rules of an unequal game.

Miroslav Válek was a Slovak poet whose sensitive and intimate work clashed with his political engagement in the communist party. How to approach this discrepancy, how to cope with it? Can one read poems while disregarding their author?

Eduard Grečner. Film director, dramaturge, publicist and poet. A talented fi lmmaker with precise artistic goals which, due to circumstances and the times, he was not always able to realise. Refl ections on the ideological and aesthetic starting points he consecutively followed during his creative career, [as well as] on the meaning and mission of art and the principles that art should never abandon. [It is] about reality limiting the freedom of artistic expression, confl icts with power and the consequences that Eduard Grečner – a human being and an artist – decided to face without ever compromising his own views and conscience, because the truth is all there is.

A tribute to Martin Slivka, one of the most important personalities of Slovak cinematography and culture. He was the creator of Slovak documentary ethnographic film, director, screenwriter, dramaturgist, film theoretician, pedagogue, author and ethnograph, but mainly – exceptional person. This documentary is not only a remembrance of maestro Slivka through words of his close friends and colleagues, but also an attempt to slightly uncover the secret of his rich life and work.

A TV film based on a short story by Alfonz Bednár. A drama set during the Slovak National Uprising.