Lovers from Marona

Filmed shortly before the outbreak of World War II, Żołnierz Królowej Madagaskaru is the only Polish film allowed by German occupiers to be completed. Its last known surviving copy was destroyed in the late 1940s. In 1958, Zarzycki remade the film in color under the same title.

The action takes place in the second half of the 19th century in a small Californian town in the Wild West. Hans, a German émigré, opens a shop on one of the streets. To his annoyance, his fellow countryman, young and beautiful Lora, sets up a shop on the opposite side. There is fierce competition. Lora decides to take Hans to court. However, unfamiliar with German, the judge mistakenly marries them.

A stranger shows up in an American town, promising a reward for the person who once helped him out of trouble.

During World War 2 Polish skiers take up a fight against the Germans and become couriers, delivering mail to Budapest.

Poland in the 50s, 20th century The process of collectivization of agriculture is under way. The wealthy Slumdog farmer is one of the last individual farmers who have not joined the cooperative and are trying to grow their own land. But it is very difficult - the unemployed mercenaries who paid for them run to cooperatives (where they have better conditions), the environment or the local authorities do not accept him as a kulak. Struggling with the problem of how to make a 40-hectare farm last, he remains alone in the face of a loss of land that he cannot cultivate.

A Jewish man who escapes a Nazi transport hides in a Polish ski resort town by posing for photos with tourists dressed as a polar bear.

A group of chauvinistic men start a Bachelors' Club, but soon they start falling in love with women, threatening the continued existence of the club.

The Sea [Morze] is a 1933 Polish short documentary film directed by Wanda Jakubowska. It was nominated for an Academy Award in 1933 for Best Short Subject (Novelty).

One day in the miserable life of a female factory worker and single mother of four children. One of her sons - ridiculed by his peers - leaves home and gets into trouble.

Ala is unable to settle down and often changes husbands. She introduces each newly married spouse to her mother.

Ewa Bonecka, a young student about to start school in a new place finds herself without a place to sleep after she is declined a room in a women-only hotel. Helped by a pleasant policeman, Piotr, she tries to find a lodging in the strange town full of thieves and petty troublemakers.

It tells the story of the Warsaw Uprising of 1944 through the eyes of a US airman, escaper from the Nazi Stalag camp and two young reporters, cameramen for the Bureau of Information and Propaganda of the Polish Home Army. Their mission: documenting the Uprising by shooting newsreels for the “Palladium” cinema. Looking for the right shots, they go deeper and deeper – literally and figuratively – into the heart of the Uprising. Traumatic truth becomes obvious. Aware of being witnesses of indescribable events, they realize their duties: to document them and preserve the rolls of film at any cost…

Engineer Andrzej Uriaszewicz returns to Poland in order to smuggle a valuable painting out of the country.

A film director uses a South American premiere of his latest picture to reconnect with his old friends from the Warsaw Uprising, the protagonists of his movie.

A shy lawyer tries to win the hand of a beautiful girl and hilarities ensue.

Warsaw after the fall of the Warsaw Uprising. The Germans expel the civilian population and then proceed to systematically destroy the city. The capital is transformed into a sea of rubble, among which a few survivors hide – modern-day Robinsons. One of them is Piotr Rafalski, who rescues Krystyna, a wounded Jewish woman. Three soldiers of the People's Army, cooperating with a Soviet telegraph operator, are also in the city.