Kawa

In search of a new life, Anderson has left his Tikuna community in the Amazon forest for the bustling metropolis of Manaus. There he lives on the outskirts of the city with his sister and her sick child in a barren single room, and supports them through working various jobs. The environment is far from welcoming, but Anderson is driven by a burgeoning awareness of his two-spirited sexuality, which he feels can only be realized in the anonymity of the city. Anderson finds himself in limbo, questioning and rejecting certain tribal rituals, even as he fiercely defends his community and seeks to find peace with his identity.

Jonathas lives with his parents and his brother, Juliano, in a cottage in a rural area of the Amazon. The family harvests and sells local products at a roadside fruit stand, a place of contact with new friends and novelties from the rest of the world. They meet Milly, a visitor from Ukraine, and the native Kedassere. The group decides to spend the weekend at a campground in the jungle. Against his father's wishes, Jonathas will embark on this adventure. Seduced by Milly and the forest, he undertakes his most transforming journey.

In Itacoatiaras, two distant places, one in Niterói, Rio de Janeiro, and the other in Amazonas, share a name and a history rooted in Indigenous lands. As both face the erasure of their ancestral identity through development and environmental destruction, the film explores memory, territory, and the climate crisis through the voices of Indigenous leaders, activists, environmentalists, and researchers.

Within the walls of a middle-class condo, three stray cats seek shelter, food and joy. Meanwhile, the daily lives of the residents become a mixture of affections and disagreements.

An indigenous young group take part in a ritual with alcohol and another substances that push them to suicide, asthe only way to get out from a social reality without perspectives.