The Last Match. Saint Petersburg

The dramatic story of two Chechens, father and son, living in a remote northern village. During the Chechen war, the Sultan's wife was killed, his house was destroyed. Now he and his son Apti are trying to build a new peaceful life. They are completely disconnected from their usual environment and are forced to work hard without any hope of getting used to a strange and extremely unattractive world for them.

Russia’s record-high number of holidays are celebrated at an upbeat balalaika pace and with black humour in a lively mosaic of impressions from life in the vast, inscrutable country in the East.

What happens when the boundaries between the observer and the subject are obliterated? When love appears not as a polished image, but in the guise of a homeless, drunk, and wounded person whom the world has turned its back on? This is a story about love that refuses to acknowledge the "social gutter". It is about equality that cannot be imposed, but can be experienced. In this film, reality rewrites the script. What was intended as a documentary about volunteers helping the homeless suddenly transforms into a chronicle of an impossible love affair. The film producer falls in love with the protagonist – a homeless man named Edik. The camera captures not only the social drama but an inner revolution which comes at a price. The struggle with addiction, rejection, the lure of the streets, and the fear of being authentic. Yet, against all odds, in this struggle we discern a radical act of recognizing humanity in someone who is usually overlooked.

Valeria Guy Germanica's documentary "Emelianenko", dedicated to MMA fighter Alexander Emelianenko.

Story of Lendoc (Leningrad Documentary Films Studio). Among the heroes of the film are not only famous film directors who shot films at the studio in different years, but also employees of other professions, like cinematographers, writers, editors, producers, sound designers…

The father of the Director Valeria Gai Germanica, the 91-year-old Alexander Brown, is deeply saddened by the death of his beloved wife. He goes on a summer trip together with the family of his daughter. Together they fly to the sea, and little by little the trip to Italy and Greece takes on the dimensions of an ancient tragedy: mortal danger and miraculous salvation, difficulties in translation and conflicts between generations. Human life turns out to be a journey full of emotions that can hardly be borne.

A portrait of the Russian filmmaker Alexei Guerman via an exploration of the making of his latest film, an adaptation of It Is Difficult to Be a God, a science-fiction novel by the Strougaski brothers, on which he has been working for several years, Hard to Be God explores the director's complex relationships with his crew, who he rules with a rod of iron. The film exposes the power relations of authority and the submission of a film crew to a director who is trying to change history, fight servitude and advocate freedom.