Mountains

Through dramatic reconstruction and documentary asides, the spirit of Italian poet, playwright, journalist, aristocrat and army officer Gabriele D’Annunzio is captured, presenting the nascent fascism in his attempts to forge a new state in the aftermath of the First World War.

The Museum of the Revolution in Belgrade is actually a building that remained unfinished for 60 years and 'inhabited' only by the homeless and marginalized. The director observes the precarious (but proud) daily life of a girl and her mother around the symbolic ruins of a utopia.

Presented in the form of a series of fictional letters sent from Nina Kurtela to Aki Kaurismäki read against a backdrop of atmospheric exterior shots, Dear Aki is an experimental visual-narrative essay on the nature of identity, nationality and belonging in the globalized world.

The tavern "Jablan" existed in the 1980s and was located in a small village, Jugovo Polje, in Croatia, SFRY. "Jablan" was a symbol of "brotherhood and equality" for its owners, guests, musicians, and waiters. It was a place where people of different generations and education gathered - from workers and peasants to doctors, even music and sports stars of the '80s, it was a place where nationality and religious affiliation played no role. Nevertheless, the first shooting between Serbs and Croats took place in "Jablan", which heralded the war in Croatia and ended "Jablan's carefree days". The film protagonists reconstruct the events, from the day the tavern was created, to its destruction, witnessing how a place of love and joy became an object of hatred and destruction within a few months.

Twelve 5-minute TV episodes about small Croatian towns and villages in which residents speak in strong dialects or foreign languages. The series includes episodes about Momjan, Gornja Stubica, Tounj, Vrboska, Zdala, Susak, Prezid, Bol, Susnjevica, Strigova, Blato and Lokve.

Neda relocates from Croatia to New York City seeking financial and emotional stability. While navigating her new life in the metropolis, she maintains a complicated, distant relationship with her father, Jadranko, back home through late-night online chats. During these nocturnal browsing sessions, Neda stumbles upon a forgotten digital archive belonging to a 1990s cyberfeminist collective known as the Electronic Witches. The group—originally formed by activists during the Yugoslav Wars to teach women and queer individuals how to use early electronic bulletin boards (BBS networks) to bypass state censorship—quickly becomes an obsession for her. As Neda digs deeper into the virtual archive, her digital investigation spills into the physical world. Her quest to uncover the legacy of these wartime digital pioneers transforms into a personal journey of self-discovery, exploring themes of isolation, digital intimacy, and queer resilience without falling into tragic tropes.