The Last Romani in Auschwitz

Maria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.

Polish Jews, who were forced to leave their country in 1968, meet every year in Ashkelon. After nearly 40 years, they share their memories of exile, loss and regret, and still consider themselves Polish.

The year is 1989, and the country's first free elections in a long time are approaching. A man in a cycling cap organizes a chain of clean hands, using it as a tool in his election campaign. In the queue outside the passport office, people chat, make plans, and ponder what's worth selling abroad. Writers observe the world around them. One of them is applying for a passport. In Dzierżyński Square, the monument to Feliks Edmundowicz is being dismantled. Two drunk men sleep on a bench, and behind them is a sign reading: "All is well." The two writers observe the ongoing transformation of the political system.

Zuzia, a very sensitive teenager with an artistic talent, is struggling with a drug addiction. Her brother, the film director, decides to take a closer look at the family to understand what might have caused this difficult situation.

Full of archival flavors, the story of an aristocrat cursed by his family, a man of many faces and talents living in turbulent times. Who was August Zamoyski? A lover of female beauty, an athlete, a sculptor, and a citizen of the world who draws full attention from life?