Ala Changso

Pema's graduation film made for Beijing Film Academy, Set in rural Tibet ; it is a timeless allegory of an old nomadic couple searching for a stolen yak.

An award-winning debut feature from Tibetan director Sonthar Gyal, The Sun Beaten Path presents the story of a young man making a pilgrimage to Lhasa to overcome the guilt of causing a family member’s death.

The rich complexity of human relationships is central to this story of a young girl, her father, and his father, who each long to strengthen their bonds, but find themselves fighting the weight of personal and national histories. Tibetan writer-Director Sonthar Gyal (The Sun-Beaten Path) makes breathtaking use of the Tibetan plains and mountains as an epic backdrop to this intimate family drama.

A filmmaker searches the Himalayas for an actor and actress to play the lead roles in his Tibetan opera.

A story of an aged sheepherder, his gruff grown son (who’s having trouble conceiving a child with his wife) and the old man’s Tibetan mastiff hound – a highly prized breed, much sought after by urban Chinese – whose existence is imperiled from all sides.

A young Tibetan monk goes back home for the New Year's celebrations. Fascinated by television, he wants to bring his family's television to the monastery to show it to his master.

Lhamo and Skalbe fail to get married when they find out that Skalbe has already registered a marriage. Memories rush back as Skalbe embarks on a journey in search for his so-called ex-wife Cuoyehe, only to discover that the girl had renunciated her secular life when she broke their marriage promise four years ago. As a result, Cuoyehe's religious identity causes great difficulty in Skalbe's attempt at a divorce. On the other hand, Lhamo becomes aloof.

A man returns home after sixteen years for his father's funeral, only to uncover a long-buried family secret and the truth about his unresolved relationship with his deceased father.

Documentary about China's film industry and the monumental changes in the past 40 years from beginning with propaganda films to the "5th generation" filmmakers and beyond, who embraced art and commercial films to make China the second largest box office market in the world after Hollywood.