Antônia

Documentary about punks of the city of São Paulo and its difficulties, struggles and ideals, the importance of music in the universe of its ideology, interviews and images of shows of some musical groups like Ratos de Porão, Inocentes and Fogo Cruzado.

It's Friday night. Pedro and Anastácia are at home, like millions of other couples in São Paulo. Locked away in the living room of their apartment, Pedro and Anastácia's relationship finds an opportunity to reveal its degree of wear and tear. História Familiar portrays the banality of everyday life and contemporary emotional malaise.

Selma, a retired nurse, is an extremely loving mother for his son Raimundo, in an almost incestuous relationship. One day, she becomes aware of some changes in her son's behavior. At first, she thinks it may be some girlfriend. But soon she learns it's something else.

Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.

Former political activist receives compensation from the Brazilian government for the disappearance of her husband, victim of the repression triggered by the Brazilian military dictatorship. With the money, she can buy her an apartment and free herself from this dreadful condition she lived for decades. At the moment of moving to the new home, however, a visit arises that forces her to review her entire life.

Sao Paulo, Brazil. Isabel, a 25-year-old girl, is kidnapped. The first ATM the criminals try to withdraw money from is broken. It's almost 10:00pm. The kidnappers realize they will not be able to get to the next one on time. What was meant to be an express kidnapping becomes an all-night imprisonment.

A woman ready to move away from Brazil is kidnapped by her jealous ex-lover.

Sunday. Classic game on the brazilian championship. Rossi’s family organize themselves in front of TV. Eunice, his mother, looks trough the window while Borges, his dad, and Cauã, his older brother, watch the football match. Rossi tries to find his place in the house.

The daily routine of a streetwise office boy, waiting in long lines, having to deal with some fishy situations, listening to music, and meeting people.

Milu, a 6-year-old girl, is on vacation. This does not mean fun, because she has to stay alone at home while her mother works. Tulio, a mysterious boy, invites her to play some games. Their fantasies gradually take over the reality that surrounds them.

On the day of her mother's wake, filmmaker Tata Amaral's uncle tells her a surprising story: in his youth, her father, Joaquim, had been a wealthy man but ran into an unexplained problem and was forced to flee to Mato Grosso. The filmmaker sets out to explore this past—spanning the 1940s and 1950s—and uncovers a family secret. Beyond the technical revelations of the criminal case, there is a journey of emotional self-discovery that begins at her mother's wake and concludes at her father's grave. Through her camera, she seeks to clear Joaquim's name.

This program from the Brazilian Historical Panorama series proposes a reflection on the 60s in Brazil based on its audiovisual memory. With excerpts from texts and opinions by Augusto Boal, Lygia Clark and Torquato Neto, among others, scenes from movies and newspaper headlines, the documentary allows the 1960s to speak for itself.

Passages showcases Brazilian films in which the utilisation of artforms and media such as literature, painting, theatre, music, photography, radio and television, functions as a 'passage' to political and social reality.

Jacob, Mairun and João are 6 years old and are making their carnival costumes for the school party. Ana does not participate in the activity because she believes that carnival is a sin. This situation causes surprise among her little friends who start a conversation about their different religious backgrounds.