Sabaku

Adult video store clerk, Issa, feels like a total loser after losing his job and being dumped by his girlfriend. He is blessed by a stroke of luck when his invention, a curry package squeezing tool, suddenly gains immense popularity. Not only does his invention attract buyers and money, it even attracts unwanted attention from the Yakuza.

In the district of Shinjuku, a cut-throat rōnin student crosses paths with an uninspired painter who does the utmost for his envisioned muse.

Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.

Minako, a Tokyo housewife, is depressed that everyone has an active life outside the home except her. Taking her inspiration from TV reports of a hitch-hiking chainsaw murderer, Minako decides to spice up her life by finding a young lover and running off with him by faking her kidnapping. While her family frets and worries, Minako has a wonderful time. Eventually, though, she decides it's time to go back to her family. Her lover, however, isn't ready for the fun to end, and Minako's fake kidnapping soon becomes all too real.

Young lovers Mari and Atsushi elope to the Big City that is Tokyo, unfortunately when they run out of money, both need to make some harsh choices. Mari stumbles upon selling ‘Party Tickets’ (for Swingers parties to be exact…), before being drawn into the sex industry to make ends meet. Meanwhile, Atsushi becomes a ‘Scout Man’ – effectively a recruitment agent for the sex industry (i.e. procuring young women for nude modelling, porn movies etc.). The consequences of their respective decisions will ultimately take it’s toll on their young lives.

Yuu is living with her horse Ryusei on the edge of the sea. One day a young researcher and three artists arrive and they disturb Yuu's quasi-telepathic relation with a horse.

A mother, daughter, and their fiancé are enjoying a vacation at a villa near the ocean when suddenly a trio of people - a middle-aged man, a woman, and a young man - break in. Three outsiders and three ordinary people feel what it means to "live" through abnormal behavior. All of them are antisocial.

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

A boy, abandoned by the whole family - torn apart by obsessions, perversions and problems of every kind-start looking at everything around him through the eye of the camera, so that nothing can seem flat and keep up hope. The meeting between these two lonely souls will bring unexpected consequences.

A professional voyeuristic filmmaker is hired to acquire footage of prostitutes; during the process, his camera lands on a woman with a troubled past.

A police detective investigating a vicious string of homosexual murders discovers that the latest victim appears to be the married executive who was his college lover ten years before.

A high-school girl with a hobby of documenting stuff with her video camera films a woman getting raped in a dirty alley. She get in contact with the rapist and start blackmailing him to let her film when he assaults his victims, whom he chooses because they are all patients of his psychologist sister, and he's been eavesdropping on their sessions.

A middle-aged man walks up to young man who is sitting under a tree and shoots him. The film then flashes back to 1981, where a young woman steals a car with a baby strapped inside. She decides to raise the child as her own, and teaches him to shoplift from stores while she works as a prostitute. She strikes up a relationship with a convenience-store clerk, and the two eventually settle down together.

Kasumi Yuka heads the cast of this silly softcore film from Hisayasu Sato, the usually far more sober cult filmmaker known for grim depictions of alienation and sadism. Yuka plays a cranky harridan who uses her vibrator to administer questionably effective punishment to people who annoy her.

Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.