Compromise

Đorđe Kadijević is an art historian, art critic, professor and one of the most important Yugoslav and Serbian film directors. He is a member of the "Black Wave", the most important film direction in Yugoslav cinematography. The film "Butterfly" is considered the first and most important horror film in Eastern Europe. And the TV series "Vuk Karadžić" received the highest award of European film directors, which was awarded to Kadijević by Umberto Eco

Katarina and Igor are actors who are together both on and off the screen. Blinded by flashes and deafened by applause, they, although inseparable, did not hear or see each other in a long time, until the award ceremony for the best series of the year, where the whole team will gather. There, everything will be revealed - the good, the bad and the ugly of the film and TV industry in Serbia today. It will become clear that their lives are a bigger melodrama than the one they acted in.

A portrait of a family and of Jovan (John), its youngest member and black sheep. The entire story takes place in just one day, in one apartment, during the celebration of the beheading of St. John the Baptist. Jovan’s parents are hiding the fact that they are getting divorced from their son and their guests, and Jovan is hiding from them that he is using drugs while hoping that aliens will save him from the hopeless and meaningless existence on Earth.

In this TV drama, seventeen-year-old Maja helps her older brother Bokan to solve a debt that he cannot pay because he is in prison. Wanting to prove herself, Maja insists on doing the job on her own without nobody's help. This decision will take her into a world of violence for which she is not ready.

A family is being evicted from their home illegally by the private investor. On the morning of the eviction a lot of tension rises among the family members as they try to figure out why this is happening and how to save their home.

The film is about the director and screenwriter, Milos Misa Radivojevic, who has maintained his position as a radical filmmaker and one of the most important representatives of art cinema in the Yugoslav and European context since the “black wave” period until today.

Four legendary Yugoslav film directors talk about their careers, capitalism, sex, life, death and revolt.