Weird Woman (State I and State II)

An alienated girl struggles to piece together the events of the previous night over 24 hours in NYC, only to be reminded that nothing is ever as it seems in a city where everyone is a self-made avatar, and violence looms like a halo.

Experimental artistic film which uses the milieu of experimental art with a background of various kinds of sounds and music. (worldcat.org) Posthumously released short film compiled from reels of film found at Balch’s office after his death.

Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary Final Academy events at the South London Ritzy Cinema. These were Burroughs-themed art and performance nights curated by Psychic TV. Jarman’s film shows Burroughs on Tottenham Court Road signing autographs with fans and inside a shop buying alcohol. The industrial soundtrack by Psychic TV features a sample of Burroughs repeating "boys, school showers and swimming pools full of 'em'". Additional footage shot by Jarman during Burroughs' visit is reported to have been confiscated by Scotland Yard in 1991 and remains lost. Jarman and Psychic TV would continue to collaborate (“magic bound us together” Jarman wrote), with Jarman directing the music video for Catalan and staring as the spokesperson in the Psychic TV video A Spokesman for the Temple of Psychick Youth.

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

'The Shadow of the Sun' draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.

F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.

Industrial Soundtrack For The Urban Decay traces the origins of Industrial music, taking you on a journey through the crumbling industrial cities of Europe to America's thriving avant-garde scene. Featuring Throbbing Gristle, Cabaret Voltaire, NON, SPK, Test Dept, Clock DVA, Re/Search - V Vale, Z'EV, Click Click, Sordide Sentimental, Hula, The Klinik, Ant Zen, Orphx, In The Nursery and Prima Linea.

Throbbing Gristle performing live at the Kezar Pavillion in San Francisco, California on the evening of May 29th, 1981. This would be TG's last show until reforming in 2002.

Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.

For over 30 years, the so-called First Transmission video from Psychic TV, has been the stuff of, well, “snuff film” legend. First advertised in the back pages of Thee Grey Book , The First Transmission was an ultra weird touchstone of the underground VHS tape trading scene of the 1980s.

An experimental film of the group Throbbing Gristle in concert.

Genesis P-Orridge and Lady Jaye Breyer P’Orridge talk about their pandrogeny manifesto, about gender, and about how they seek to become identical to one another via medical experimention.

Throbbing Gristle: Live at Sheffield University 10th of June 1980

A sensory quasi-documentary about post-WWII paranoia and how it led to the rise of esoteric counterculture movements.

Throbbing Gristle: Live at the Lyceum, London, 8th of February 1980