Now and Forever Time to Reclaim Life

With her marriage and her life disintegrating before her eyes, in this Italian political thriller, Sarah has made a detailed filmed record of it all. Not only that, she made a film of the man who flung bombs into a political demonstration and she is killed for her effort. The story unravels as Sarah's husband, who is suspected of being her murderer, views the film on a moviola. He is trying to figure out what happened and why his wife died. Because he has the film which would expose the murderer and the political forces behind him, his life is also in danger

This documentary was distilled from a 3 1/2-hour television film Nessuno o Tutti, to make the point that many inmates now in mental hospitals could be released without harm to society, and to their advantage.

An established writer goes to the Nobel Prize Banquet in Stockholm. He is a family man. In the background another woman. A suicide attempt. His work is rejected by the publisher.

Much-censored documentary encompassing thirty years of Italian politics under the governance of the Christian Democracy (DC), entirely composed of — occasionally dubbed — archival footage.

A deeply disturbed and epileptic young man benignly decides to murder other members of his dysfunctional family for altruistic reasons.

A look at the passage of time through the changing seasons, human evolution and everyday life.

A man walks with his child on the grass of a hill. He reaches an old country house, where years before he had spent his childhood during World War II. The deserted and desolate rooms make him travel back in memory to the time when the war was ending. Episodes of family life pass before his eyes: father, mother, grandmother and six children, of which he, Silvano, the youngest, was made mute by the shock of a bomb exploding...

An engineer invents a revolutionary machine capable of automating all industrial production, thereby eliminating the need for human labor. His groundbreaking innovation, intended to free humanity from work, instead leads to his abduction and brainwashing by unknown forces. He is then left to wander the city, stripped of his memories and identity.

Through interviews with prostitutes, transsexuals, marginalized people, and the disabled, the director tells a series of stories about sexuality and feelings. An investigation that becomes a quest to explore the other side of love.

A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.

A group of pilgrims in the Vatican is trapped in an enclosed elevator. Then chaos erupts, and repressed urges come to the surface.

The different faces of love provide the theme for this beautifully photographed film comprised of four short episodes. In the first story, two sisters head out for a New Year's Eve celebration and end up getting a ride with a car full of boys. The lads rape one of the girls, and strangely, the victim ends up falling in love with one of the rapists. In the second story, two young bucks who have been friends for ages spend a weekend at one of their wealthy father's homes. Eventually, they become much more than friends. The third tale deals with the emotions of an abandoned lover. While moping about, he watches TV and sees the picture of a Bengal tiger. Soon he becomes obsessed by the creature and spends many hours observing it at the zoo. His lover decides to return, but he spurns her. In the last story, a homeless fellow lives in an abandoned car. Among the locals he is known for his wisdom. One day, the doorkeeper of an adjacent building goes to see the derelict.

Charlo and Carla are on their honeymoon. She is three months pregnant. He, furious about his marriage of convenience, recalls the past and ponders on The Garden of Earthly Delights by Hieronymus Bosch, dear to the Surrealists. While she is bleeding, he spends the night with a beautiful stranger...

A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.