Sammy-Gate

Ryan Kristoff, once a decorated naval captain must fight his past and inner demons to save his family from the "dormant" Mount Diablo. His estranged wife, a distinguished geologist, realizes that the fabled Diablo is about to erupt. She embarks on a mission to convince the local authorities to evacuate the city.

In 1992, a suburban New York teenager named Amy Fisher captured the national media's attention when she shot her lover's wife in the face. This sordid tale of underage sex, aggravated assault, and Joey Buttafuoco managed to spawn not one, not two, but three separate made-for-TV movies. Drew Barrymore, Alyssa Milano and Noëlle Parker all took stabs at portraying the disturbed young lady, yet a true on-screen depiction of Amy Fisher has never emerged - until now. In this Rashomon of found footage film, director Dan Kapelovitz mind-melds the multiple melodramas into one ultimate metadrama mashup.

A compilation disc in two parts. The first is a collection of 70s television ads called "What The 70s Really Looked Like", curated by Matt McCormick and Morgan Currie. The second part is called "70s Remix" (curated by Craig Baldwin and Noel Lawrence) which features a selection of art films that all make interventions on found footage from the 70s. These films include Matt McCormick's "The Vyrotonin Decision", Thad Povey's "Thine Inward-Looking Eyes", Tony Gault's "Not Too Much Remember", Damon Packard's "Toast 'ems", People Like Us's "We Edit Life" and Animal Charm's "Mark Roth".

About struggling and wannabee artists and screen neurotics in Los Angeles. From studio executive to homeless actor in jut one blow. They compromise their identities, bodies and souls in search of their dreams and passions.