Papá o 36 mil juicios de un mismo suceso

Camila Sepúlveda has been unemployed for over a year. Now she is trying to get a job as a secretary. Through six chapters and brief interviews we will find out what this long unemployment time has meant to her. Everywhere Camila goes for a job interview, she will listen to other unemployed women's points of view and experiences. She knows that after all this time of being unemployed she will never be the same person again.

Veronica, a popular social media model married to an international soccer star, falls out of favor when she discovers she is the prime suspect in the investigation into the murder of her first daughter ten years ago. Faced with the pressure of the investigation, her marriage is on the verge of breaking up and she begins to feel jealous of Amanda, her newborn daughter.

Four stories intersect in a zentai meeting hotel, the sexual discipline, and fetish whose practitioners wear lycra suits and rub each other. Mother and daughter recognize each other in a ritual, a man does not decide what to wear, a coach loses his authority and two lovers never see their faces.

A photographer suffer from memory loss after a car accident and starts to hallucinate after taking the medicament that were supposed to help his condition.

Marianne Ayala is the CEO of Groovefield International, an ontological coaching company. She's pregnant, and looking for someone to take her place. The chosen one is Marian Aguayo, a Peruvian cook whom will have to train in 5 days, so she can carry on with her legacy

At the beginning of the summer of 1986, a group of actors and actresses directed by Andrés Pérez, put on the street the play “All these years” presented in front of the Cathedral of Santiago, the Bellavista neighborhood, the La Bandera district, the Parque O'Higgins, Plaza del Mulato and many other places in Santiago. Armed with megaphones, costumes, musical instruments, giant dolls, stilts and banners, they set up shop in different parts of the city where they raised scaffolding on which they climbed to summon the public to witness their show of singing, music, dancing and pantomime in the who told stories that quietly delved into the events of the last years of the military dictatorship at the end of the 1980s. 25 years passed, Andrés Pérez had died and the street actors became references in theater and television, when Flores returned to the eighties images to create this tribute documentary.

A group of film students try to make their first work: a short-documentary-musical-porn-stop motion project.