Dillagi

M. Sadiq’s drama about a professional hunter who aims to locate a beautiful young girl. Starring Johnny Walker, Shyama, Jeevan, Veena and Dhumal. In Hindi with English subtitles.

A powerful and princely Sheikh lives in 18th Century Persia, makes a living renting out properties, and recovering taxes and dues on them. He lives in a palatial house with his wife, Zubeda, and son, Ahmad. When Ahmad grows up, Zubeda notices that he is spending too much time with women in their harem, and wants his father to get him involved in their business. Sheikh accordingly instructs Ahmad to collect all revenue, which he does so. A few days later, Sheikh is informed that Ahmad has been spending time with a friend named Farid, and is romantically involved with a dancing girl named Yasmin. A visibly upset Sheikh accordingly warns Ahmad to mend his ways, give up on Yasmin and return home, where he has planned his marriage with Nadira, the daughter of Amir Qasim.

Indira (Suraiya) is an orphan brought up the strict and uprighteous Rani (Veena). Indira grows up to be a beauty and is sought by three suitors Raj (Raj Kapoor), Kundan (Al Nasir), and Ramesh (Suresh). Rani does not like Indira to marry into her family as both Raj and Kundan are her brothers, and she wants Indira to marry Ramesh, and as such arranges a meeting with Ramesh's mom (Pratima Devi) and finalizes the marriage. Indira does not appreciate this and refuses to marry Ramesh. Raj speaks of his love with Rani, and Rani warns him that Indira is to marry Ramesh, but also has an on-going affair with his brother Kundan. Who does Indira really love? Will she ever marry her dream man?

Raj Kumar Ashok belongs to a rich and aristocratic family. His parents want him to marry the best of the best girls money could find. Ashok's dad then spends a lot of money to invite proposals from all over India. But Ashok loves Kokila, who belongs to a poor family and sells flowers for a livelihood. Ashok decides to carry on his love with Kokila and at the same time witnesses the hilarious goings-on at his residence when the dads, mom, and the brides-to-be assemble - all from different parts of India - all speaking a different language. And with this multi-lingual medley, misunderstandings are bound to happen - and they do. His parents eventually select Roopa to be the bride. What will happen to the budding romance of Ashok and Kokila?

A young couple’s romance blossoms into marriage, only to collide with family tensions and societal expectations. Jeewan Jyoti introduces Shammi Kapoor and Chand Usmani in a heartfelt story of love, duty, and resilience.

In colonial India, newlyweds Amal and Rajni face separation when she returns to her family. Their peaceful village life shatters after Amal's beloved teacher is arrested as a freedom fighter.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

A young prince named Ashok falls in love with a girl named Lali whom he encounters for the first time while hunting in a forest. Later on he learns that Lali belongs to a nomadic community that is at present, inhabiting his region. Ashok meets Lali again and both confess that they are in love with each other. In the meantime Lali's father, who is the head of his community, sends a man named Phulwa to look for her.

Arjun Pandit is a 1976 Hindi movie starring Sanjeev Kumar, Ashok Kumar, and Vinod Mehra, and directed by Hrishikesh Mukherjee. Bindu, Deven Verma, Sachin, and Keshto Mukherjee play other roles in the movie. The film's music is by Sachin Dev Burman.

Baijnath alias Baiju is a slacker, trouble-maker, unemployed, and a flirt. The villagers rally together and force his father to ask him to leave the village, which Baiju does. Baiju's travels take him to the castle of a king, who has a beautiful daughter named Ratnavali. When he sees Ratnavali, he is smitten by her beauty and falls head over heels in love with her.

Widowed Mrs. Lal lives with her two sons, Ram and Ratan; an unmarried daughter, Sheela; Ram's wife, Parvati and her children. While Ram is employed in a mill, Ratan is studying engineering in Calcutta. When Ratan returns, he is offered a job at the same mill, falls in love with a Typist named Manju, much to chagrin of Malti, the daughter of the mill-owner, Sewakram. When Ratan finds out that Sewakram has been defrauding the employees, he decides to form a union, a move that is opposed by Ram, who is very devoted and loyal to Sewakram.

Childhood friends Seema and Gopal reunite as adults, unaware of the terrible secret connecting their families. Can their love story survive revelations from the past?

A stage actor from Bombay becomes entangled in a murder mystery after he falls in love with a mysterious woman in Darjeeling and marries her.

Rich girl falls in love with a poor man, with many complications along the way.

Fed up of Dilip's involvement with gold digging actress Nayantara, Dilip's uncle pretends to be gravely ill in hopes of guilting him into marrying a decent girl. Dilip convinces reluctant Kiran to pretend to be his fiancée. Dilip and Kiran soon fall in love, and Nayantara decides to intervene.

A debauchee Zamindar greatly neglects his wife. The decadence of the Bengali Zamindar milieu in the late 19th century, seen through the eyes of a young upward mobile rustic seeking fortune in Calcutta, fascinated by the lonely lady of the house.