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Motel Bestari, a large house built during the Dutch colonial era, has been converted into a motel by a woman who practices black magic named Nyai Djatmiko (Djenar Maesa Ayu). Guests who come and go, staying there one after another, fall victim to the motel’s haunted nature.

Amelia and Jenny have always been in love. Yet, Amelia's arranged marriage with David forced them apart. Jenny was in despair till she meets Amelia again and ended up having to watch her poisoned right in front of her eyes. As David accused her of the unspeakable crime, Jenny stands by faith that David is the actual killer. David stirred all eyes into suspecting Jenny. When things got tangled, will Jenny be able to prove her innocence?

Banyu, a boy with autism spectrum disorder, starts a beautiful friendship with Radin and Kinara. When they all grown up, a tragic event occurred, putting their friendship on the edge of destruction.

Set in 1960s Java, a young Javanese woman betrays her teacher, falls in love and must face dire consequences.

Sartika, a pregnant young woman, moves away from her city hoping to provide a better future for her child. She meets Maya, a coffee shop owner in Pantura. Maya takes care of Sartika and helps with her deliveries. After Sartika gives birth, Maya manipulates her into working for her as the "Kopi Pangku" waitress, a job that requires her to serve coffee on a man's lap, until one day she meets a fish distributor truck driver named Hadi and falls in love. Will she find happiness?

After leaving prison, Elzan struggled to earn money through street fighting and becoming a debt collector, in order to redeem his family's house which was confiscated by the bank. However, defending the family home feels useless, because Elzan has to be in direct conflict with Ical, his own younger brother. With the help of Ara and Rio, Elzan fights for the integrity of his family by risking everything.

As a child, Yuli witnessed her parents die at the hands of a mysterious force after her mother became possessed. Branded a cursed and unwanted child, she survived and grew up under the roof of her father's other wife Ambar and her daughter Laras, enduring constant humiliation. Fueled by vengeance, Yuli performs a forbidden ritual. As the dark magic takes root, the world around her begins to unravel.

When Putri's mother suddenly disappeared mysteriously, she decided to trace the available clues to find her mother again, starting from walking through a haunter forest, an abandoned factory, until arriving at an old house which turned out to be inhabited by "tuyul" and the terrifying black "kuntilanak".

Kiran, a Muslim woman, loses her faith and falls into promiscuity after a hard-line Islamic organization, meant to strengthen her faith, ends up depriving her of it.

Suzzanna is determined to exact revenge on Bisman, the cruel village ruler who killed her father with black magic. To achieve this, she learns black magic, but realizes Bisman's power is immense. In the midst of her efforts, Suzzanna falls in love with Pramuja, a religious man who doesn't know her secret, forcing her to choose between pursuing her revenge or sacrificing him for love.

Ajo Kawir is a fighter who fears nothing, not even death. His raging urge to fight is driven by a secret: his impotence. When he crosses paths with a tough female fighter named Iteung, Ajo gets beaten black and blue, but he also falls head over heels in love. Will Ajo’s path lead him to a happy life with Iteung, and, eventually, his own peace of mind?

Tales of supernatural sci-fi phenomena unfold in this collection of seven mind-bending, interconnected stories imagined by writer-director Joko Anwar.

When a violent act kills her parents, Sita vows to debunk the idea of supernatural torment after death — a fixation that leads her on a dark quest.

Lela, a mortician, finds something odd about the body of her mother who died suddenly. Trapped in sacred tension and a tense horror journey, Lela discovers another oddity in the body of the corpse she was bathing.

A woman of nobility battles patriarchal norms in order to improve educational access for women in early 1900s Indonesian society.

Sancaka has lived on the streets since his parents left him. Living a hard life, Sancaka survives by thinking about his own safety. When the condition of the city gets worse and injustice rages throughout the country, Sancaka must decide whether he continues to live to look after himself or rise to become their oppressed hero.