Power in the Blood

A provocative portrait of Ireland's Traveller Community by acclaimed documentary-maker John T. Davis and photographer Alen MacWeeney, who first photographed them 35 years ago. The result is a poignant film and a study in the durability of photographic art - these Travellers are quite recognisable, and it comes as a shock when they step our of their photographs and tell what they did with their lives in the long interval.

The story of Jack McBride Neill, the Ulster cinema architect who throughout the 1930s and 1940s designed some 16 cinemas around Northern Ireland.

John T. Davis stashes a camera in his bedroll, catches out, and rides the rails from Minneapolis to Seattle with Beargrease - a part-time hobo and full time philosopher, who narrates their way through the incredible scenery of the Northwest and gives us his views on life, liberty, and the pursuit of happiness. Along the way, the pair meet with several other men living life on the margins.

John T. Davis’ first in a trilogy of films (including Protex Hurrah (1980) and Self-Conscious Over You (1981)) exploring the Belfast filmmaker’s local subculture and American cultural influence. It provides a look at the burgeoning punk scene in Northern Ireland, featuring early footage of bands such as Stiff Little Fingers, The Undertones, Protex, The Outcasts, and Rhesus Negative, among others. (from: http://artistsspace.org/programs/shellshock-rock/)

John T. Davis travels westward down Route 66 in his red Chevy Impala, documenting American life from the perspective of an Ulsterman.

The making of the Tarsem Singh's fantasy-film 'The Fall'. Behind the scenes: Part I.

The making of the Tarsem Singh's fantasy-film 'The Fall'. Behind the scenes: Part II.

Organised by Terri Hooley's Good Vibration Records, this legendary gig found almost 1800 people cramming into The Ulster Hall to see local band The Outcasts. The events depicted here were later immortalised in the 2013 film Good Vibrations. The final part of documentary filmmaker John T. Davis 'punk trilogy' – preceded by Shellshock Rock (1979) and Protex Hurrah (1980). These films sought to portray the leading figures of Ulster’s underground punk scene of the late-1970s and early 1980s.

Director John T Davis follows fellow Belfast native artist Noel Murphy as he completes a commission to paint all 108 members of the Northern Ireland Assembly over a six-month period.

An exploration of the world of songwriters in Nashville. It features performances by Dean Dillon, Frank Dycus, Harlan Howard, 'Cowboy' Jack Clement, and Whitey Schafer, as well as the lesser known Junior Lee Farrell and Danny Jackson.