La Reine des resquilleuses

The story, a tale of political and amorous intrigue in Beirut, is based on one of Pierre Benoit's novels, " La châtelaine du Liban," and the film exploits the scenic backgrounds of the novel, Beirut, Palmyra and the Syrian Desert. A young captain in the Camel Corps. goes mad when he finds himself on the point of selling his country's secrets to get the money to satisfy the enchantress whose mysterious activities are concerned with espionage. The captain's eventual return to his Camel Corps. and the desert provides the opportunity for a fight with Bedouins, which marks the dramatic climax of the film.

An ex-businessman, ruined and reduced to living under bridges, uses the name of one of his companions in misfortune, Rothchild, to organize a vast scam.

In the Yukon, searching for gold, Hurricane picks up a paper and discovers that the girl back home is planning to marry another man. Abandoning all care, Hurricane is soon embroiled in a fight in which guns play a part. It is then that the true value of one of his companions, Flossie, a girl of the gold-fields, becomes apparent.

Father-and-son lion tamers, Rabbas and Léo share a mistress - Rosita, the " lovely bitch " of the film's title. She is as wild as their lionesses and, in a single night the father is injured and the son attempts suicide. Only when Rosita leaves the circus can things get back to normal.

An old Montmartre building with countless tenants: on the seventh floor, a Russian painter, Igor, lives in his art and dreams, whose paintings express kindness and indulgence; two floors below, a poor cabaret singer, Seraphita, poses for her neighbor when she feels too lonely and abandoned; further down, the Prunelle family lives, where the father and mother, inveterate drunks, indulge in drink and give their eleven-year-old son. Tique, who seems to have become indifferent, the spectacle of atrocious domestic scenes. By the time the film begins, Father Prunelle, drunker than ever, has chased Tique's mother away with insults...

Exotic vehicle for the singer-dancer-model-actress Dalida, winner of the Miss Egypt beauty contest of 1954, who the French painter-director Gastyne discovered.

This relatively straightforward dramatic biography was one of two films commissioned to honor Joan of Arc on the 500th anniversary of her death, but it was soon undeservedly relegated to obscurity in favor of Carl Dreyer's triumphant 'La Passion de Jeanne d'Arc'. The comparison is unfair: Dreyer was an artist, but director Marco de Gastyne certainly proved himself a distinguished craftsman, and his emphasis on the Maid of Orléans early life in Domrémy serves as a picturesque, matching bookend to Dreyer's impassioned courtroom drama.

The story is about a superstitious village, where the mayor has sold a tower to an unknown, who is soon suspected of being the devil.

An French orientalist fairy tale starring France Dhélia, Gaston Modot, Sylvio De Pedrelli and Marcel Lévesque.