Notre-Dame d'amour

Juanita is a 1935 French musical comedy film directed by Pierre Caron and starring Mireille Perrey, Alfred Rode and André Berley.

Maxime, heir to an old provincial family, is deeply in love with Maud whom he makes his fiancée. But learning that the young girl's life has not always been beyond reproach, he refuses to marry her and returns to his castle in the company of his sister who, happier than him, has met a man worthy of being in Paris. love.

An unemployed maid is hired in a music hall to wash the floors. The whim of a screenwriter makes her go on stage in the most basic outfit. A revelation, success is at his doorstep! However, the young woman would prefer a virtuous life and a serious marriage to the easy but immoral existence offered to her by the world of entertainment.

A seasoned con-man devises an elaborate plan to relieve a rich socialite of a hefty chunk of her fortune but her falling in love with him complicates matters.

Are these two tramps who come to pose for an advertising agency at Patrice Farfadou, the fashionable photographer, the Prince Andromache of Miremir and his faithful secretary Palmer? Who will find the key to the Enigma: The melancholic Hector, the youthful Geneviève, or the feverish Elyane?

Blanchette, unable to find a job, prostitutes herself in Paris. She then finds the man she loves when her morale is at its lowest.

A tramp has taken up residence in the belly of a museum whale.

A wealthy banker who takes his accountant's name after multiple incidents is forced to pass off his girlfriend as his daughter. But the truth is coming out. The banker's wife then favors the marriage of the young girl, which creates a new intimacy in her household.

The ladykiller friend of a busy diplomatic attaché follows a masked blonde home after an elaborate ball without knowing she is that man's wife.

Sergeant Jacques Destranges randomly finds a little friend from the summer. She runs an inn where the company finds good wine and songs. Jacques makes plans for the future with her while his companions relive their peacetime memories.

Reine, a young woman, meets for the first time a cousin of hers, Paul. She falls in love with him but she soon leans that Paul is engaged to Blanche, the beautiful daughter of Reine's uncle.

The son of two teachers hits the road and becomes a singing success after being taken in as a protege by a kooky countess.

In Montréal's east-end, a group of over-grown kids, disappointed in their lives, spend their time hanging out on street corners, patronizing bars and frequenting seedy apartments and back alleys.

Tino is a painter and occasionally a singer. When he has an opportunity to replace an absent singer, he becomes a sucess as a masqued singer, "Le chanteur masqué". Lisa is a typist who becomes a successful singer, also as a masqued singer, "La chanteuse masquée". Tino the painter falls in love for Lisa the typist, not knowing about her "masqued" activities. On the stage they are rivals.

A husband, exasperated by his wife, spanks her without paying attention to the open window in front of which he is. He is annoyingly surprised to discover the next day that the scene has been photographed by a neighbor, and that the image is circulating in Paris. A debate then ensues: is this an opportunity to call for revolt or a welcome manifestation of marital authority?