Who Is Bozo Texino?

Lesson 9 is a short film about the loss of a lover to insanity. Part horror story, noir-like mystery and disaster film, Lesson 9 weaves together shards of a narrative that has been shattered like excerpts from the journal of a lover gone mad. A disaster movie after the disaster, the film uses three different definitions of possession to form its thematic structure and to explore love, loss, sexuality and insanity.

Coronado's ill-fated expedition across what is now the American Southwest is examined in a mix of found footage and live-action.

Within days of the release of Negativland's clever parody of U2 and Casey Kasem, recording industry giant Island Records descended upon the band with a battery of lawyers intent on erasing the piece from the history of rock music. Craig "Tribulation 99" Baldwin follows this and other intellectual property controversies across the contemporary arts scene. Playful and ironic, his cut-and-paste collage-essay surveys the prospects for an "electronic folk culture" in the midst of an increasingly commodified corporate media landscape.

Two salesman go to Nevada to exploit nuclear protesters and end up finding something more.

In post-apocalyptic 2007 where a government cover-up disseminates via mass media and the history of electromagnetic technologies, from X-rays to the Internet, telepath Boo Boo travels through the history of TV to fight against a corporate-controlled 'New Electromagnetic Order'.

A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles. Pulp-serial snippets, industrial-film imagery, and B- (and Z-) fiction clips are intercut with newly shot live-action material, powering a playful, allegorical trajectory through the now-mythic occult matrix of Jack Parsons (Crowleyite founder of the Jet Propulsion Lab), L.Ron Hubbard (sci-fi author turned cult-leader), and Marjorie Cameron (bohemian artist and "mother of the New Age movement"). Their intertwined tales spin out into a speculative farce on the militarization of space, and the corporate take-over of spiritual fulfillment and leisure-time.

Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.