Writhing

A collection of four short films based on stories written by William Faulkner.

Volume Four of this sexy collection of the hottest gay short films around. This collection takes us from a blossoming love in a one-bedroom apartment in Tel Aviv, to the paranoid jealousy that comes with your first relationship, to a visually poetic work of ethereal movement and dance. A comedy about the fantasies of a hunky repairman and a thriller about a one-night stand where nothing is as it seems. The 5 shorts include: Faces (2019); Fish Tank (2018); Rubber Dolphin [דולפין מגומי] (2018); The Handyman (2019); Writhing (2018).

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.

Mark, a new and inexperienced rugby club member, finds himself drawn to Warren, a seasoned first team player. When a series of happenstances at an away fixture lead to a drunken encounter, Mark and Warren unwittingly embark on a romantic affair they struggle to hide from their partners and teammates.

When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.