Turandot - Puccini - Live from Verona

In this strikingly modern 2016 production from the Zurich Opera House, Tcherniakov transposes the opera’s intrigue from forest and castle to living room and psychiatric office. The love story of the original work remains riveting, but Tcherniakov brings an unexpected psychological element to his mise en scène, with Prince Golaud as a psychiatrist and Mélisande as a young woman suffering from PTSD. You’ve never seen Pelléas like this!

This is an exhilarating experience both visually and aurally. How wonderful that Barenboim is havng such success with Verdi this late in his career.The excitement and power is there in all the big movements and the tempi shouldn't upset anyone. There is clarity and drive in all the big choral fugues and the climaxes will knock your socks off. But it was the quiet moments I found most moving. The incredibly detalied camera work increases this sense of intimacy and the video quality is excellent. Really.

The first Broadway production of the Tony Award winning musical Follies was presented during 1971 in New York City. Since its premiere, performances of Follies have been staged across the United States, England, Ireland and Australia. It would take over 40 years for the French premiere of the Stephen Sondheim musical about a Broadway theatre in decline. Performed in Toulon, the French premiere of Follies featured an international cast and was staged at the Toulon Opera House in 2013.

Adam’s Passion is the moving first collaboration between two “masters of slow motion who harmonize perfectly with each other” (Frankfurter Allgemeine Zeitung). In the spectacular setting of a former submarine factory, American director and universal artist Robert Wilson creates a poetic visual world in which the mystical musical language of the Estonian composer Arvo Pärt can cast its meditative spell. Three of Pärt’s major works – Adam’s Lament, Tabula rasa, and Miserere, as well as Sequentia, a new work composed especially for this production – are brought together here using light, space, and movement to create a tightly-woven Gesamtkunstwerk in which the artistic visions of these two great artists mirror each other.

Rediscover one of the world’s most famous operas with Dmitri Tcherniakov’s modern staging at the Staatsoper Berlin. Performed repeatedly at the opera, the story of Tristan and Isolde is known far and wide—a love potion, a challenge to the king, a tragic destiny—its themes have become staples of the musical repertoire.

Siegfried's love story transposed to a high-tech hell... A fascinating re-reading of the third opera in Wagner's tetralogy, served up by Dmitri Tcherniakov's daring staging and Christian Thielemann's virtuoso musical direction.

Wagner’s mystic masterpiece Parsifal at the Staatsoper Berlin, staged by Dmitri Tcherniakov and conducted by Daniel Barenboim. Wagner’s last opera, Parsifal is a medieval epic story marked by Christian, Buddhist and esoteric references. It is about redemption and renewal, but this new production by Russian director Dmitri Tcherniakov adds a jarring note : revenge. This “Festival Play for the Consecration of the Stage” is similar to a Medieval epic, a blend of metaphysical dreams and esoteric battles with constant spiritual references. This new production is directed by Dmitri Tcherniakov, conducted by Daniel Barenboim and sung by an international cast of excellent singers: Andreas Schager, Anja Kampe, Wolfgang Koch, René Pape, Tomas Tómasson and Matthias Hölle.

With Oh la la, Alagna!, in this 2013 concert, Roberto Alagna, the most eclectic of tenors, invites us to discover his extra-lyrical universe, that of his origins, which bring him closer to his passion for popular song. From Sicily to Little Italy, this compilation features more than twenty songs that have marked the artist's career. With the collaboration of famous musical directors such as Yvan Cassar and Frédéric Manoukian and their orchestras, Roberto Alagna performs his favorite songs, some festive, some moving, such as Mambo Italiano, Piensa en mi, and Mexico.

The reopening show of the historical stage of the Bolshoi Theatre by Jurowski and Tcherniakov. "Ruslan and Lyudmila", opera by Mikhail Glinka, has particular relation with the Bolshoï Theater, it held more than 700 representations throughout the history and nine different productions. Logically the fable of Mikhail Glinka (from a poem of Pushkin), symbol of the Russian opera, opened the season 2011-2012 of the majestic Moscow s opera, after its long renovation. This reopening inspired the director Dmitri Tcherniakov, who signed the direction of this new production. The new devices of the Bolshoi Theatre and its two giant screens are fully exploited in a spectacular staging. Tcherniakov transposes Glinka s opera at the 21th century with contemporary ambitions because of the "modernity of the subject", trying there to put forward "the deep feelings of the characters , exposing the protagonists to very modern temptations: a "harem" for Ruslan, a Thai massage for Lyudmila.

Sergei S. Prokofiev's monumental setting of Leo N. Tolstoy's epic novel, War and Peace. The composer and his wife Mira compressed the plot, set during Napoleon's Russian campaign, into a powerful sequence of scenes in which the love story between Natasha Rostova and Andrei Bolkonsky and the description of the Russian army's fight against the French invasion alternate in rich contrast, and at the same time are closely interwoven. All is related by the music in its fullness of splendid themes and touchingly quiet moments. Prokofiev's musical-dramatic masterpiece combines social drama and historical chronicle in its 13 scenes to form an exuberant panorama. In this production by Dmitri Tcherniakov, the opera is performed in in Munich for the first time ever.

To bring together again, for the first time since their premiere on a December evening in Moscow, Tchaikovsky’s opera Iolanta and ballet The Nutcracker, was the audacious challenge that Russian stage director Dmitri Tcherniakov accepted for the Palais Garnier in Paris in March 2016 : a revolutionary production, which was to become one of the key events of the Paris Opera season.

To inaugurate the Strasbourg Philharmonic Orchestra's 2023-2024 season, conductor Aziz Shokhakimov invites international pianist and soloist Kirill Gerstein for a special evening. The programme includes Franz Liszt's Piano Concerto No. 2, a romantic work dotted with octaves, thirds, leaps and glissandi.

The purity of classical dance meets the opulant exoticism of the Maharajas' India in this 150-year-old ballet, glorified by Nacho Duato for the Mikhailovsky Ballet.

A decade before the French Revolution, in a country riven with bitter polemics, Gluck throws the history of opera into confusion by raising it to an unheard-of peak of tragic intensity. Experiencing his two Iphigenias in a single evening goes beyond the norms of operatic life: it is to enter the very heart of the curse on the family of King Atreus of Mycenae, to follow a logical destiny through a cycle of endless violence. How does the victim of Aulis become the murderess of Tauris? That is the burning question that Dmitri Tcherniakov must adress, plunging the spectator into the midst of a household haunted by the dead and setting in train an implacable process of dehumanization, with parallels to our world today. Conducting Le Concert d’Astrée, Emmanuelle Haïm drives this dual tragedy to the summit of its expressive power, leaving humanity to be translated through arias of the utmost poignancy.

The second part of Richard Wagner’s monumental tetralogy in Dimitri Tcherniakov’s new production. He has thoroughly modernised the material and set the action in a research institute in the 1970s. Christian Thielemann is conducting *Der Ring des Nibelungen* at the Berlin State Opera, standing in for the house conductor Daniel Barenboim, who is unwell.