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Set in the American Midwest, Perfect Lives is “about” bank robbery, cocktail lounges, geriatric love, adolescent elopement, the changing of the light at sundown, et al. One of the definitive text-sound compositions of the late 20th century, it has been called "the most influential music/theater/literary work of the 1980s".

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

A boy travels through the world of M.C. Escher.

"Koan has a pallette knife in oil feeling..."

Computer imagery dances before a techno soundtrack.

An NTSC space opera.

Created in 1984 for the opening of the Computer Museum in Boston, Massachusetts. By Dean Winkler and John Sanborn. Music by Jamaaladen Tacuma.

Abstract video art created in 1981. Music by Vibeke Sorensen and Walter Michael. Abstract video art created in 1981 at EUE Video in NYC.

Abstract video art set to the music of Philip Glass.

Video art show presented at the 1991 Broadcast Designers Association convention. Includes work from: Robert Ashley, Robert Breer, Peter Callas, Christen Clark, Sumit Das, Ed Emshwiller, John Hart, Jon Klein, Lyonel Kouro, Maureen Nappi, Paul Garin, Amy Greenfield, Nam June Paik, Mark Pellington, M. Rawlings, John Sanborn, Dan Sandin, William Wegman, Dean Winkler. Major contributions include "MAJORCA-fantasia", "Sunstone", "Welcome to My Living Room" and "Neo-Geo: An American Purchase", as well as excerpts from "Perfect Lives".

Abstract video art with music composed by Philip Glass. Music by the Kronos String Quartet.

"In C, Too" illuminates how close our dreams are to a common reality. Through structured visual improvisational techniques, the work explores how humanity survives because of our imagination and desire to transcend. "In C, Too" is also an origin story, operating in renunciation to mortality, focused on life's essentials - existence, exploration and how entropy ignites evolution.

"Abstract video art created in 1976. Video by Dean Winkler and Chris Lambiase. Music by Terry Riley. This was created in real time using an RE-4 Rutt/Etra analog video synthesizer. After spending our January college break building the facility that housed the RE-4 and related equipment, we created this tape (with lots of patch cords) the night before we headed back to school." -Dean Winkler

Abstract video art created in 1979. Video and audio by Dean Winkler, Glenn Van Alstyne, Tom Lucke, Elaine Lewis, and Brian Aitchison. Chirp-1 / Quantel was created in two separate effects passes: At the RPI Video Synthesizer Lab an old porno tape (on stock that was donated to us) was processed using an analog Serge modular music synthesizer to sequence the sounds and control the colorization of an analog Hern video synthesizer. The sounds are also inserted into the video, which are the stripes you see, changing with frequency. The tape from the first pass was taken to EUE Video and used to seed an analog feedback loop around a Quantel 5000 digital effects device.