O Matador de Ratos

Pedro is given leave from jail to visit his family in Patos. During his visit, he confronts old ghosts and plans a new direction for his life, while discovering in Pamela, his teenage cousin, the same flame that burned in his heart.

In a bleak future, the inseparable Batman and Robin live in a remote trailer. As punk-rock reenactors, they realize that planet Earth has become too small for their perfection, genius and power, and decide to find their place in the galaxies.

While writing an adaptation of the play "4.48 Psychosis", by English playwright Sarah Kane. Luisa (Ingrid Trigueiro) travels to a desert beach with her family. Immersed in the text, Luisa finds the work's impulses increasingly immersed into her own reality, driving her to the threshold of adaptation and delirium. Between theater, sketch, archival images, and complex memories and family relationships, Arthur Lins uses different staging references to compose a small tropical tale about complex creation process.

In the 1960s, the Farkas Caravan traveled through the Northeast, capturing faces, voices, and social transformations of a bygone Brazil. This film retraces the Caravan's journey, connecting these historical works with the contemporary Northeast.

The documentary portrays the situation of black dancers on the national scene, paying tribute to the black body and its rhythms. Making use of consecrated and contemporary names from the universe of dance in Brazil, the production reproduces a history of black dance in the country.