My Letter to the World: A Journey Through the Life of Emily Dickinson

Of Time and the City

British director Terence Davies reflects on his birthplace of Liverpool - his memories of growing up there and how it has changed in the years since - in the process meditating on the internal struggles and conflicts that have wracked him throughout his life and the history of England during the second half of the 20th century.

A Prayer Before Dawn

The amazing true story of Billy Moore, an English boxer incarcerated in Thailand’s most notorious prison. Thrown into a world of drugs and violence, he finds his best chance to escape is to fight his way out in prison Muay Thai tournaments.

The Last Bus

Widower Tom, on the recent passing of his wife Mary, uses his free bus pass to travel the length of Britain from John O'Groats in Caithness to Land's End in Cornwall, their shared birthplace, using only local buses. It's an incident-fuelled nostalgia trip and his encounters with local people make him a media phenomenon. Tom is totally unaware and to his surprise on arrival at Land’s End he’s greeted as a celebrity.

Sometimes Always Never

Alan is a stylish tailor with moves as sharp as his suits. He has spent years searching tirelessly for his missing son Michael who stormed out over a game of Scrabble. With a body to identify and his family torn apart, Alan must repair the relationship with his youngest son and solve the mystery of an online player who he thinks could be Michael, so he can finally move on and reunite his family.

Sunset Song

The daughter of a Scottish farmer comes of age in the early 1900s.

A Quiet Passion

The story of American poet Emily Dickinson from her early days as a young schoolgirl to her later years as a reclusive, unrecognized artist.

Revengers Tragedy

A film adaptation of the 1606 satirical tragedy by Thomas Middleton, relocated to a post-apocalyptic Liverpool. Christopher Eccleston plays the revenge-obsessed Vindice, who has sworn to kill the evil Duke (Derek Jacobi) who murdered his one true love.

The Boat

A lone fisherman on his daily run finds himself lost in a thick fog which proves impossible to navigate. The worst is yet to come when his encounter with a seemingly abandoned sailboat becomes a fight for survival against an enemy unknown.

Stephen

A docu-fiction hybrid following Stephen Giddings, a man from an addiction-afflicted family, who auditions for and takes on a film role, while transforming his life in the real world, blurring the lines between fact and fiction to examine addiction and recovery.

Recovery

A pick up truck and its two passengers and driver are on the way to the city with a devastating delivery. But who is the terrorist?

Algorithm Party

Algorithm Party is an authentic, forthright glimpse into working class life, told with a blunt honesty with humour and compassion. Roy’s deft, articulate and startlingly observed musings veer from the comic to the calamitous in a breath, cutting to the quick of the broad swathe of people and personalities that comprise his native city of Liverpool - from struggling parents to small-time criminals, pent-up white-collar workers to drinkers long lost to the ale.

Under the Mud

Under The Mud depicts a hectic day in the life of a family from hell. Or are they ‘one hell of a family’? The film’s setting of Speke and Garston in Liverpool is an area with high unemployment and one of the worst teenage pregnancy rates in Europe. The action takes place over twenty-four hours, centering around the Potts household – second home to teenage slacker, Magic, who’s such a part of the furniture that his longing for the eccentric beauty Paula Potts goes completely un-noticed. To the love of his life he’s just her twin brother’s best mate. With the family set on a course of self-destruction, aided by an old enemy of dad’s, and Paula arguing with her imaginary friend about running off to Ibiza with the local slime-ball, Magic realises that he only has a few hours to save the family, get the girl and change all of their lives forever.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.