Propriedade Privada

Os Fotocines

In 'Os Fotocines', an intimate portrait of the war is built with those who lived it. This documentary feature film aims to investigate who were those, that in the Portuguese colonial war, lived with the simultaneous responsibility of fighting, defending their own lives and also, of permanently recording that same collective mission, through cameras and shooting, as well as screening.

Deus Pátria Autoridade

The history of Portugal since the Republican revolution of 1910 to the revolutionary period following the military coup of April 24, 1974, recounted with a marxist perspective, using historic sound and film documents. The title refers to a trilogy of values proclaimed by Salazar, prime minister of Portugal in 1936.

Good Portuguese People

Using film and television footage taken during the revolutionary movement of April 25, 1974 in Portugal, and mixing it with music and live interviews with common people, the director conveys a vivid account of the period in which a military coup evolved to a socialist revolution, then was tempered into a formal European style democracy.

Kolá San Jon é Festa di Kau Berdi

This documentary follows a group of habitants from Cova da Moura neighborhood into a journey to Cape Verde, to celebrate St. John festivities. Recovering the rituals and rhythms of these festivities, the cape verdean people living in that neighborhood near Lisbon, try to recover their roots and transmit it to their children.

Ku Handza

Benjamin is trying to raise money through informal exchanges so that he can organize his son’s overdue birthday. Filimone is visiting his family between war missions, trying to be present at the growth of his three daughters. Eulália is a mother of six and gives birth to a new premature baby. Some days after, she has to come back to her job in a landfill.

Lisboa Domiciliária

Documentary about the old people living in the highest floors of old buildings with no lifts, in Lisbon.

Natália, a Diva Trágicómica

Documentary about the life of the lyric singer Natália de Andrade.

Memoirs of Teatro da Cornucópia

A renowned symbol of Portuguese interventionist theatre, Cornucópia emerged from the darkness of fascism to fight dictatorship on stage. Among the classics, a project is born and dies, but one face remains emblematic: Luís Miguel Cintra, who shared his art with the constant complicity of set designer Cristina Reis. Together, guided by images, they bear witness, telling this story.

Teus olhos castanhos de encantos tamanhos

The story of a homeless man and his journey.

Between the Scenes

A documentary filmed during the shooting of Os Maias - (Alguns) episódios da vida romântica, the cinematic adaptation directed by João Botelho of the homonymous novel by Eça de Queirós. Following the cast in and out of scenes of the period film In-Between Scenes takes on its role as an extension to the history of the Maias family, exposing the lies of cinema, moving in between reality and fiction.

How Many Times Have You Dreamt About Me?

Departing from extracts written by Fernando Pessoa, the characters walk through the city of Lisbon, having the streets and houses where the Poet lived as the background.

No País de Alice

With this trip, an intergenerational sharing begins: with Portugal present as a backdrop, the director and a little daughter wander as if in question, trying to understand the country of today.

The House

Built in the New State to control the overseas students, the House of the Students of the Empire, situated in Lisbon with delegations in Coimbra and Porto, was fundamental in the fight for independence of the Portuguese colonies. Future leaders of the Liberation Movement, like Agostinho Neto and Amílcar Cabral, passed through this meeting point. The documentary The House restores the memories of the testimonies of the survivors of the House, fictionalizing in parallel excerpts of Pepetela´s “The Generations of Utopia”.

Imensa Saudade

Documentary by Rui Simões, which celebrates the 20th anniversary of Expo 98, one of the biggest exhibitions that Portugal hosted

Tango Privado

Private Tango is the result of complicity between the interpreters and the camera. The movements initially choreographed adapt and reinvent themselves in an improvisation where the camera also becomes her interpreter.

Unwavering Light

Fernando Lemo's world is fiercely stripped of any external logic, as Jorge de Sena once said. His artistic gesture blends with his own existence, where the poetic principle comes first. And with the light that insists to come through the half-closed door, the fear of life is vanquished in the battle fought with death. Thus, each word is born within another word and each image within another image. Out of how many knives is love made, the poet wonders?