May the Lord Be With Us

Oligophrenic Fany (Bohdalová) lives with her aunt who suddenly manages to travel abroad. Fany has to move to her sister (Jirásková). Two very different women, one mentally disabled and the second one intelligent doctor has to live together and learn from each other about tolerance, loneliness, life and why call dogs "Mister".

Thirteen-year-old Marek shoots videos on social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother's new acquaintance. In the most sensitive phase of his life, Tereza enters his path.

51-year-old Herbert Strehlow, a furniture restorer, falls in love with 21-year-old Lea, who has not spoken a word since childhood when her father killed her mother. She bears a striking resemblance to Herbert's dead wife. They get married, but their relationship seems doomed, until gradually each one manages to penetrate the mysterious world of the other, and they begin to realize that they are bound by a kind of spiritual relationship. For Lea it is the death of her mother, for Herbert it is the death of his first wife. His hard exterior slowly beings to thaw, and he starts to show feelings and responses that soften Lea's initial hatred and fear of him, and which put their relationship in a more positive light.

Slovak musicologist Agata Schindlerová, now settled in Dresden, has spent years mapping out the forgotten destinies of Jewish musicians whose lives were irrevocably marked by the advance of nazism. Scenes from the lives of several of them are portrayed in the film In Silence (ballet dancer Alice Flachová, pianist and conductor Karol Ebert, composer, conductor and director of the Dresden Theatre Arthur Chitz, pianist Edith Kraus, and the vocal ensemble Comedian Harmonists), which draws a sharp contrast between the protagonists’ carefree existence working and making music during the pre-war era and the subsequent severe upheaval in their lives brought on by the proliferation of nazism.

Flower Buds tells the story of the gradual breakdown of a family living in a small town. Each character lives according to his or her own ideals. Agata wants a happy life far from home, fully aware that her only hope is to escape and therefore betray those close to her. Honza believes in the purity and power of love, regardless of the circumstances under which it is born. Kamila looks confidently to the future and does not intend to accept the misery of the present. The only Jarda knows that he will not change the world or himself. Aware of his weakness, he does not even try. In his mind, of course, his addiction to slot machines, which has led to a nearly impossible situation, is as certain as most gamblers' belief of an imminent win. The real and convincing attempt to rescue his family comes when it is too late. It is just a futile gesture, a desperate last ditch effort.

The story of a barely grown man who lives as a fresh postulant before vows in a community of monks. He not only shares with his brothers their world of contemplation, but also, as a link in a long chain, he takes those persecuted by the communist regime across the border to Germany. On one night's return, he witnesses a ruthless crackdown on a group of students fleeing from a nearby village where they had been on compulsory work experience. And not only that: that night, a community of monks is also liquidated in Action K (April 1950), and the returning Christopher witnesses their transport without being able to help his comrades.