Offerrollsretorik

Offerrollsretorik

2013 · 14 min · Drama

A short film about women who is comfortable in their role as victims.

Directed by Katja Wik · Written by Katja Wik

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Cast

Make it a double feature

2h 13m together

Offerrollsretorik

Force Majeure

Both from Katja Wik.

More from Katja WikSee all →

Force MajeureForce Majeure · 2014
Force Majeure
6.82014
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While holidaying in the French Alps, a Swedish family deals with acts of cowardliness as an avalanche breaks out.
PlayPlay · 2011
Play
6.82011
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In central Gothenburg, Sweden, a group of boys, aged 12-14, robbed other children on about 40 occasions between 2006 and 2008. The thieves used an elaborate scheme called the 'little brother number' or 'brother trick', involving advanced role-play and gang rhetoric rather than physical violence.
Incident by a BankIncident by a Bank · 2010
Incident by a Bank
6.62010
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Incident by a bank is a detailed account of a failed bank robbery: A single take where over 90 people perform a meticulous choreography for the camera. The film recreates an actual event that took place in Stockholm in June 2006.
InvoluntaryInvoluntary · 2008
Involuntary
6.42008
MovieComedyDrama
In several unrelated stories, the consequences of putting one's foot down – or failing to do so – are explored.
X&YX&Y · 2018
X&Y
5.92018
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An artist has chosen a famous male actor for them together, in the context of a feature film, to deconstruct themselves and their invading roles. They engage in a boundless play with their surroundings in an exploration of identity, male and female.
The Ex-WifeThe Ex-Wife · 2017
The Ex-Wife
4.42017
MovieComedyDrama
The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge

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