Lisbela and the Prisoner

The (mis)adventures of João Grilo and Chicó in Brazil's Northeastern region. The four-chapter miniseries original version of O Auto da Compadecida.

Cousins ​​Charlô and Otávio once had a romance, but today they detest each other. However, fate plays a trick on them: they will receive a large inheritance, on the condition that they live together.

Eleutério and Rafaela's marriage is tested when she wins a contest to meet Sydartha, a soap opera heartthrob. The romantic teacher confuses fiction and reality when she meets her idol.

The cheerful and outgoing Jordana lived alongside Silas for 20 years, helping him become wealthy. Despite this, he abandons her to run away with the opportunistic Carla. After the separation, Jordana faces financial difficulties. She then meets Dona Mena, an eccentric and lonely old woman abandoned by her family. Jordana takes care of Dona Mena and, when she dies, inherits four bronze cupids containing a million dollars. The problem is that the cupids disappear without a trace. The cupids become the subject of a fight between Dona Mena's nephews, Loreta and Carlito. The two are the villains of the story. Jordana, however, ends up falling in love with Carlito. In the final chapters, Jordana manages to recover the cupids and rebuild her life. She has the help of her friend Vieira.

The production portrays the dramas, neuroses, and everyday situations of the Brazilian middle class with humor, irony, and a light touch. Each episode presents a standalone story revolving around domestic life, romantic relationships, quirks, and family conflicts.

The daily lives of a typical Brazilian middle-class family, that are always very close and tries, in their way, to survive the financial and relationship difficulties.

The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small town in Northeastern Brazil. When they die, they have to be judged by Christ, the Devil and the Virgin Mary before they are admitted to paradise.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

Moira, Anete and Caio are employees of a public office who do nothing in the office, which has lost some government attention over the years. Until a new boss arrives, Tales, with his intern Leda, and makes the old employees suffer with new and many jobs to do.

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

TV Pirata was a weekly Brazilian comedy show aired on Rede Globo between 1988 and 1990, being re-aired monthly in 1992. Some of the writers later went on to form the comedy troupe Casseta & Planeta. The show was first aired in April 1988 to fill a gap on Rede Globo's Tuesday night prime time line-up and its comedy was inspired by sketch comedy shows such as Saturday Night Live and Monty Python's Flying Circus with a no-nonsense approach to Brazilian comedy; however, it mixed a new style of comedy with elements of Brazilian culture such as football, politics, pop culture, telenovelas, economics and celebrities. No well-known figure or member of any economical or social class was spared from the show's cutting edge humor. The premise of the show was a TV studio being invaded by pirates who took over the programming department and put a tape on the air with some "unusual" programming. Another new element to Brazilian audiences was the performers, who weren't the usual comedic actors, but dramatic actors doing more comedic roles.

After 20 years missing, João Grilo returns to Taperoá to join his old friend Chicó and, after his story of resurrection spreads, he is disputed as an electoral candidate by the two most powerful politicians in the city. The four-chapter miniseries original version of O Auto da Compadecida 2.

Partners Juba and Lula are up for any challenge. Living together, they embark on adventures and radiate vitality. Everything changes when they meet and fall in love with young reporter Zelda Scott.