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Somewhere in Sweden, a gigantic dumpster breaks free from a heavy chain suspended underneath a big helicopter. The dumpster hits the ground with a formidable crash and the garbage spouts out into the surroundings. Meanwhile, an aging Roma woman wakes up in her house with an extremely strong desire to get her old wall clock back.

In Bodén’s hometown of Jämtland, staying put is anathema: speaking to a group of kids about this drive to leave home, she is told by a male student that only “stupid girls” would stay there any longer than is necessary. This hits home with Bodén, who was prompted to her research here by a conversation in which her sister declared, “I don’t think I’m worth more than Jämtland.” After her initial dismissiveness of her sister’s statement, she started to second-guess the conversation and her own ingrained notions of what it meant. This film is about Bodén’s search for understanding.

Mariken Halle first asked around her neighborhood if she might make a school film about one of her neighbors. When that didn’t work, she and her small film crew began addressing people on the streets of Göteborg. How would they imagine a movie that they would want to star in? The results were far from fantastic – she encountered dismissively amused responses and boring, confused ideas. But some of the people she talked to were different. They try getting into their “life role” – and she begins to direct them....

A call center in Stockholm marks the starting point for a poetic and reflective documentary about what it means to live off the forest. With a unique tone and exquisite storytelling, director Clara Bodén explores the escalating distance between city and countryside.

The Power Grid is about feeling tricked, seeing how a place is exploited and asking what is left of it. A personal film about power production and colonialism, about growing up surrounded by a wealth of mighty natural resources but being told you live in a poor region.

A daughter moves from the family farm and the countryside as a nineteen year old. Twenty years later her aging parents still live and work on the farm. The daughter/director tells a story about the ambivalence of leaving a place that symbolises both security and stagnation. A film about the choices in life, mortality and the symbiosis between people and places.

Three Swedish actresses work as waitresses in Oslo one summer. They use all their wits to get as much tips as possible. They plan to start a company and buy a house. They come to be our guides in the film and reveal a world of people doing things they don't want to do, playing roles they don't know why they're playing.