Madeleine

Jussi Koskela clears a plot of land for his family in the village of Pentinkulma in southern Häme. His son Akseli joins the Red Guard and takes part in the Civil War of 1918, at the end of which he is imprisoned. After his release, Akseli returns to Pentinkulma and tries to raise his family with his wife Elina, as well as acquire more land for his croft in a politically hostile environment. The Winter War and Continuation War take a heavy toll on the Koskela family, but despite this, life goes on.

Täällä Pohjantähden alla is based on the book with the same title. It is a story of the little village. The movie starts in the 1890's and it ends to the Finnish civil war in 1918. Story concentrates around a tenant farmer family, although it gives us a good look at the society at whole. While the class struggle depends, people of the village are driven to bloody civil war.

Juhani, a welder and Ritva, a right-wing backgrounded, future clerk get married. Soon we see that their marriage seems to be all about long business trips, housing problems, concerns about the money and political disagreements.

Semi-fictitious biopic of Finnish poet Eino Leino, made with a large budget to celebrate the 100th anniversary of his birth. The film concentrates on his relationships with first wife Freya Schoultz and later muse, poetess L. Onerva. His friends include equally central figures of the Finnish cultural scene in the early 1900s, such as painters Halonen and Gallén-Kallela, and composer Sibelius.

Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naïvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.

Based on Franz Kafka's famous novel, director Jaakko Pakkasvirta created this interpretation of the woebegone Josef K., who is trapped in an ever-increasing labyrinth of double talk and bureaucratic nonsense in his efforts to reach the castle. As Josef seeks to make an appointment to see the ruler Herr Klamm inside his inaccessible abode, he becomes enmeshed in abuse from lowly villagers and bureaucrats alike. His endless false starts toward the castle's enigmatic interior are partly offset by a few sexual encounters but nothing alleviates his role as a victim of forces beyond his control.

Anna has taken care of her elderly parents and their farm. After her parents pass away, she takes control of her own life.

Pertti Ylermi Lindgren was engaged to 76 women, married none, but took the money of all. Lindgren is the real thing, as far as swindlers go. Peter von Bagh asked him to play himself in a film that would reconstruct some of his greatest moments, i.e. the most flamboyant stunts – and he agreed.