Borrá todo lo que dije del amor porque no sabía bien quién era

A fairly realistic fiction by Martín Piroyansky about the life of Martín Piroyansky. The story revolves around an actor who loses his job due to an employment contract, which for many people is an unsolved mystery.

Delfina decides to spend with her two best friends, in her family’s manor house, her last day before getting married. In a sometimes violent, sensual or caring atmosphere, they share their doubts, their memories, their secrets, but also their bitterness. This intriguing title (literally Mares and Parrots) hides a subtle social unease within the young Buenos Aires bourgeoisie.

Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.

It's the beginning of spring. Federico travels for 20 days from Bogota, Colombia, to Buenos Aires, Argentine. In Buenos Aires he meets a couple of friends that introduce him to Florencia, a girl that makes him doubt his return.

Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.

Julia is about to finish school and struggles to stay afloat in a sea of ​​expectations and confusion.

Natalia Kohen, renowned artist, millionaire and patron, denounces having been kidnapped by her daughters and admitted to a well-known neuro-psychiatric hospital. The causes revolve around economic interests centered on his fortune. "My daughters have taken everything from me and they want to make me look crazy," she declares to the newspapers. As she goes through an insanity trial initiated by her daughters, a group of film students makes a documentary and tries to meet the character behind the case.

Inés spends her days at her father’s empty apartment. Without much to do, she receives a few visits and self-medicates with other people’s stories.

Vera and Bruno used to be a couple, but haven’t seen one another since they separated. He coincidentally appears before her during a long-awaited country house weekend with friends on the outskirts of Buenos Aires.

The lives of Ana, Haneen and María are crossed by the imaginaries of their Italian, Ranquelian and Syrian identities. Their stories, inherited and their own, intermingle with the dust, the desert and the plain of the immense land of La Pampa.