Samouni Road

When Anna was fourteen years old, her father was arrested and accused of being the secret head of Italian terrorism, charges of which he would be acquitted, years later. After four years in prison and fifteen in exile, Toni Negri became a world-class political philosopher, and his arrest merely one chapter in an extraordinary life. On Anna, though, that story left an indelible impression, and this film becomes a tale of the traumas of two generations, both personal and collective. Anna and Toni meet up in Venice, in front of a film camera, a friend of theirs doing the filming. Toni knows it will be his last time in Venice – and dies six months later. Anna, who has never lived with her father since his arrest, now tries to make up for lost time. And it is in this new dimension of a voyage of mutual discovery that we witness, as conveyed in a few gestures and choice words, any last doubts and misconceptions fade away, and the real meaning of two such complicated lives become clear.

In the first few months of 2020, huge swathes of Northern Italy were hit by a new virus. The town of Bergamo and its province was to become the epicentre of this pandemic.

From Facebook thumbs up to the battle of stones, a history of hope, fear, despair, anger, pride and elation, the film is the real-time chronicle of the two most exciting weeks in the history of modern Egypt as lived by their protagonists. Since the 25th of January 2011, together with thousands of other Egyptian citizens, No ha, Ahmed and Essayed have been involved in a massive movement of street protest for political freedom. Day after day, sleepless night after sleepless night, until the capitulation of the defeated pharaoh, the film follows these young and unexpected heroes along their shattering fight to conquer their freedom.

A coming-of-age crime story about a young boy who plays and gets lost in the wood.

Akif left Germany to join up with the PKK guerrilla fighters. His diary records the doubts, dreams and political discussions that the fighters share as they march through the mountains, and in the meetings where the women criticize male prejudices.

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

It's January 6, 2009, the eleventh day of the Israeli attack on the Gaza Strip and the district is barricaded, with no-one able to get in or out.