Les deux font la paire

Wounded during a rugby match he'd come to Paris to play, Tonin Bonnafous, a thoroughbred southerner, settled in Paris with a former stalag mate he'd happily met. Tonin liked the asylum. His friends are charming, and there's a neighbor, Martine, a young cinema extra, whom Tonin finds to his liking. Through his electrician friend, Tonin gets a job on the radio, and through his young neighbor, he even gets a job as an extra in the cinema.

Secret de Polichinelle roughly translates as Open Secret. The "secret" in question is an illegitimate child, the offspring of young-and-foolish Henri (Bernard Lacret). The baby is adopted by its grandparents, Monsieur and Madame Jouvenol (Raimu and Francoise Rosay). At first taking charge of the child because it is their duty, the Jouvenols come to love the little nipper as if he were their own son. At this point, the film threatens to drown in a morass of sentiment, but the actors and the director manage to stem the bathos with some first-rate comedy vignettes revolving around the care and feeding of the bouncing baby boy.

Eusèbe Bonbonneau, a solicitor's clerk, learns one day that a candidate bearing his name runs for election as a member of parliament. In fact Frazier, a crooked businessman, has urged an accomplice to impersonate Eusèbe, in order to obtain, through this straw man, authorizations for the creation of a casino in Sanceau-les-Nains and to make big money out of it. Eusébe decides to go to Paris to investigate. In the capital he meets Mariska, an exuberant actress who encourages him to try to get elected. As a result, thanks to her the true Bonbonneau becomes a member of parliament and the crook's accomplice is arrested. But Frazier is not impressed and, changing tactics, he starts manipulating Eusèbe.

Madame Clapain dies in dubious circumstances at the home of the Cadifon ladies, of which she was a tenant. A friendly inspector and Thérèse Cadifon each carry out their own investigation.

A young sculptor presides over the destinies of a student club where a miserable young girl ends up one evening. The treasurer of the association falls in love with the young girl who returns the favor. The war. The sculptor comes back blind. Out of gratitude, the young girl marries him and restores his confidence in his talent; out of discretion, the treasurer steps aside.

The workers Legendre and Martinet have won a large sum in the national lottery. Instead of squandering it, they had the good idea to invest it in industry. Happy in business, they soon find themselves at the head of a fortune. But their characters are very different. Legendre, who is brave and honest, narrowly escapes the malevolence of a couple of harlots. Martinet, his former work companion, has become a crooked and formidable financier. Both will face each other in court, the honesty of the first finally triumphing over the greed of the second.

Benjamine, the daughter of the chocolate maker Lapistole, has broken down in her car, spends a night at Paul Norman's, imposes herself casually and causes the break-up of the engagement of this peaceful civil servant with the daughter of his department head. A friend maintains contact between Paul and Benjamine, becomes the head of publicity at Lapistole and when Norman is dismissed through Benjamine's fault, brings his two friends closer and proves to them that they are made for each other.

Catherine Vidal is a featherbrained wife who imagines that her husband cheats on her. To wash away the alleged stigma, Catherine hires a young man who will pose as her lover. The (double) trouble is that not only is Catherine's husband innocent but that Catherine and her "employee" fall in love for good as well.

Discovering his wife's relationship with a middle-class snob, a husband tries his best to break this relationship by the seducer himself and ends up leaving with his wife for another wedding night in Venice.

Benoit, the head guard of Clouville Prison, prefers to be liked than feared. This basic principle transforms the jail-house into a joyful prison, where all the inmates live amicably together. Among them, various colorful characters : a farmer, a poacher, a distiller, a forger, two pickpockets, a safe-cracker, a gangster and... a good-looking guy who pleases Rosette, Benoit's daughter, well. But too much leniency takes its toll : after Vauclin, the gangster, manages to escape and a complaint is filed against "the deplorable disorder reigning in the joyful prison", Benoit is given early retirement. He will know how to take advantage of his new status live a joyful life with his wife, his daughter and André, his son in law, in fact the nice-looking young prisoner who, in the meantime, has been cleared of all charges.

"Le Tambourin", a Montmartre nightclub, is on its way down. Although it can boast great performances by the alluring Les Bluebell Girls and by Jacques Hélian's lively Big Band the venue does not attract people anymore. Nightclub patrons now prefer the jazz cellars of Saint-Germain-des-Prés. Taking this new taste into account, the staff of the "Tambourin" and Jacques Hélian decide to set up their own club, "La Pivoine Ecarlate". They are joined by Pâquerette, a flower vendor and amateur singer, and by Jean-Pierre Francis, an existentialist poet...

Two second-rate, hammy actors, Hector Trignol and Achille Baluchet, come up with a fake murder story to draw attention to themselves. Baluchet is to kill Trignol, who will temporarily disappear then reappear, as if by magic, during the trial. But things don't go according to plan.

An adventuress serves as bait for a swindler, who robs the naive people she brings to him with poker. A childhood friend helps him.

Franck Crighton is a millionaire who is fed up with his hectic life. To have a bit of peace and quiet he has found the winning formula, passing himself off as Guillaume Aribeau, his own secretary. Under the cover of this modest condition Franck can both lead a freewheeling life and find true love.