The Electric House

To impress his fiancee's aunt, a young man tries to become king in a small kingdom, but the people there have already crowned one, who has won this honor by gambling. So he plans a coup d'etat. He tries to achieve this with a bomb, but then something goes wrong...

Maggie is resentful of being pointed out and laughed at in public because she resembles the cartoon character in the George McManus comic strip "Bringing Up Father." She visits McManus in his studio office and tries to persuade him to stop drawing the syndicated comic-strip. He tells her he will...in 1959. Maggie, not getting any younger, retains counsel and takes McManus to court.

Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.

Two farmhands compete for the love of the farmer's daughter.

Buster Keaton gets involved in a series of misunderstandings involving a horse and cart. Eventually he infuriates every cop in the city when he accidentally interrupts a police parade.

The Romeo and Juliet story played out in a tenement neighborhood with Buster and Virginia's families hating each other over the fence separating their buildings.

Mack Sennett comedy short subject spoofing filmmaking, with girls, lions, and limburger cheese.

Let-It-Rain Riley (MacLean) is a devil-may-care Marine sergeant who falls in love with a girl (Shirley Mason) who he assumes to be rich. His rival for the girl's affection is his pal, Kelly (Wade Boteler). The guys find out that the object of their affections is but a modest switchboard operator but she proves to be invaluable when she deciphers a code and discovers that a mail train is about to be robbed.

Fields plays "Larsen E. Whipsnade", the owner of a shady carnival that is constantly on the run from the law. Whipsnade is struggling to keep a step ahead of foreclosure, and clearly not paying his performers, including Bergen and McCarthy, who try to coax money out of him, or in McCarthy's case, steal some outright.

Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.

Upon waking from the dream of a theater peopled entirely by numerous Buster Keatons, a lowly stage hand causes havoc everywhere he works.

A down on his luck young man makes several attempts at committing suicide but fails them too. He then finds himself becoming more confident through a series of petty adventures, to such an extent that this becomes his undoing.

The rituals of courtship, romantic rivalry, and love play out three times as a man vies with a villain for the girl. In the Stone Age, the rivalry is set off by dinosaurs, a turtle used as a ouija board, and a round of golf with stones. In ancient Rome, the men display their brawn through a chariot race, using dogs instead of horses. In contemporary times, the man finds himself overcome by modernity, including a very fragile car.

Egbert Sousé becomes an unexpected hero when a bank robber falls over a bench he's occupying. Now considered brave, Egbert is given a job as a bank guard. Soon, he is approached by charlatan J. Frothingham Waterbury about buying shares in a mining company. Egbert persuades teller Og Oggilby to lend him bank money, to be returned when the scheme pays off. Unfortunately, bank inspector Snoopington then makes a surprise appearance.

A woman infiltrates a criminal mob to avenge her brother's death.

A coquettish socialite falls for a straight-laced associate in her father's law firm. But she must also fend off the advances of a greedy fortune-hunter and his sister.