The Funeral Murders

The remarkable true story of Michael Cohen, a charlatan art dealer who swindled over $50 million from the art establishment before going on the run.

Intimate portrait of artist Sarah Lucas, whose witty and provocative work explores questions of identity and sexuality. With contributions from Angus Fairhurst and Damien Hirst.

Documentary about British Art in the 60's produced by the BBC starting with Fraser and Kasmin, moving to the modern sculpture movement lead by Caro largely at Central Saint Martins, and finishing with political and performance art in London.

News on Sunday was a left-wing tabloid that launched to great fanfare in 1987 and went bankrupt just eight weeks later. It was one of the boldest business ventures ever attempted by the far left and it was a disaster. A group who met through a tiny left-wing faction called Big Flame were convinced it was possible to market a left-wing mass-circulation newspaper. They were led by ex-Ford worker Alan Hayling (now head of BBC Documentaries) under the editorial leadership of John Pilger, who walked out before the paper had even launched.

"The story of Villa Road, a squatted street, during the heyday of squatting in the late 1970s, when all over the country people lived together in politicised communities. These squatters were on the left, and were part of a generation whose views were underwritten by Marxist ideology. They believed that the revolution was coming and the state would be overthrown."

Documentary examining the violence inflicted by men on women every day, telling the stories of all the women who died at the hands of a male partner or ex-partner during one year.

This film, by acclaimed director Vanessa Engle, explores our remarkable relationship with dogs. Over a number of months in north London's Hampstead Heath, Engle approached people who were walking their dogs to discover why they have a dog and the role their dog plays in their emotional lives. The people she meets tell their stories, many of which are moving, surprising and profound.

This film charts the rise and fall of an extreme strain of feminism, which came out of Leeds in the late 1970s and early 80s. ‘Revolutionary Feminists’ castigated the mainstream of the women’s movement for being soft on men. They called on women to become ‘political lesbians’, believing that women would never be free until they withdrew from sexual relations with men.