Spring Forward

A woman, concerned about her own job, and stuck in her office cubicle with little but a phone and a computer, and a presentation to do, gets increasingly distraught over the fate of her co-workers: one that she can't contact, and one that just got laid off.

100 Centre Street is an American legal drama created by Sidney Lumet and starring Alan Arkin, Val Avery, Bobby Cannavale, Joel de la Fuente and Paula Devicq.

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

The exploits of a group of men and women who serve the City of New York as police officers, firemen, and paramedics, all working the same fictional 55th precinct during the 3pm to 11pm shift - the 'Third Watch'.

Set in a mid-century American psychiatric hospital where time seems to stand still. The story follows Jean, a French artist and inpatient, and Monique, a young woman who becomes fixated on him after being transferred to the facility following a failed escape attempt.

Damages is an American legal thriller television series created by the writing and production trio of Daniel Zelman and brothers Glenn and Todd A. Kessler. The plot revolves around the brilliant, ruthless lawyer Patty Hewes and her protégée, recent law school graduate Ellen Parsons. Each season features a major case that Hewes and her firm take on, while also examining a chapter of the complicated relationship between Ellen and Patty. The first two seasons center around the law firm Hewes & Associates. Later seasons center more on Patty and Ellen's relationship as Ellen begins to distance herself from Hewes & Associates and begins an independent career.

Based on the bestselling book by Candace Bushnell, Sex and the City tells the story of four best friends, all single and in their late thirties, as they pursue their careers and talk about their sex lives, all while trying to survive the New York social scene. 

Summer 1936: young unemployed communist David Carr leaves Liverpool to join the fight against fascism in Spain. He joins an international group of Militia-men and women, the POUM (Partido Obrero de Unificación Marxista). After being wounded, he goes to Barcelona, where he joins another group of fighters.

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Neil, a punk rock vegetarian, is being forced to go into the family butcher business. He decides to save the world instead.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. Similarly to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode features a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.

Byron and Nina, a young African American couple, are driving from Chicago to Los Angeles, where Nina plans to start college, when they are forced to stop in a small, desert place just this side of a ghost town. Unaccustomed to confronting racism and bigotry on the scale preserved in this rural anachronism, Byron's confrontational response to slurs, epithets and threats quickly leads to a fight for survival -- and the Chicago couple is alone and outnumbered.

Set in 1920, Inge travels from Germany to rural Minnesota in order to meet the man destined to be her husband.

A reality TV program selects six contestants to participate in a free-for-all, no holds barred deathmatch, where they must skillfully outwit and kill each other in order to be the last person alive.

Quick-witted young Maya comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the profane supervisor can fire workers on a whim, and the service-workers' union has assigned organiser Sam Shapiro to bring its 'justice for janitors' campaign to the building. Sam finds Maya a willing listener, she's also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.

The closing of a local restaurant concerns a number of employees who've dedicated their lives to the eatery