La Lettre d'amour

A film in cut-out animation depicting the demographic problems of the world. It shows that in many countries freedom from the old scourges of famine and disease has in turn created the new problem of more mouths to feed. The film suggests that wealthier nations might increase all forms of aid to struggling nations to create a better world.

Short animation from Tali

This feature documentary about education explores the mid-century state of learning in the classrooms of North America. New approaches to learning and the emerging technologies that facilitate them are explored, including the new roles of the computer, tape recorder and television. Directed by Quebec cinema giant Claude Jutra (Mon Oncle Antoine), the film was produced with the collaboration of researchers studying all forms of education, from infancy to adulthood.

This film is about cats--actually, one very clever cat. The title is a play on the French quatuor, meaning quartet, but the chorus is not the usual alley-cat variety. The cat in this film is talented indeed. He is both pianist and piano, trumpet and trumpeter and, if need be, even becomes the music--a pulsing rock and roll--or a whole swarm of alley cats.

In this animation film without words, filmmaker Pierre Hébert and musicians Robert Lepage and René Lussier worked together, and separately, in their respective media. This cinema/music performance recreates, impressionistically, the dehumanizing environment of the urban subway. Drawings etch the outlines of people hurtling through space in underground tunnels. The sound track, elemental and atonal, gives compelling expression to their alienation.

This animated short follows a group of happy vacationers sunbathing... under cloudy skies. Despite the weather, they look cheerful, eating ice cream and hot dogs, frolicking in the sand. When the sun finally breaks through the clouds, everyone deserts the beach. The film presents a fanciful yet awkward scenario in which the strange behaviour of one person may be the delight of another.

This animated film, a small educational musical comedy, offers the viewer a proper enigma. He is very smart who succeeds in solving it the first time; because against this background of cold reasoning, fantasy and delirium retain all their rights.

A satirical, updated take on the classic Jean de La Fontaine fable.

A meditation on the passing of time, on a film that was never completed, upon Bazin’s death, on restoration and the future of ruins and on modern-day life that continues in resonance with the old stones.

Abstract film by Pierre Hébert, originally made in 1964 and remastered in 2007.

Painted directly on glass, Black Soul is an exhilarating immersion into the heart of Black culture—a whirlwind voyage through the defining moments of Black History.

This haunting animation film, rich with symbolism, is the filmmaker's plea for a peaceful world in which to raise his newborn son. Using the menacing imagery of the howling wind, the artist provokes viewers to reflect on the insanity of war. While the film is symbolic, its message is unmistakably clear: unless there is an end to conflict, we will continue to see our children swept away like leaves in the wind.

In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the same technique in La Lettre d'amour (1988).

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.