Melodrama/Random/Melbourne!

The Milk Man, a psychopathic murderer who preys upon women. Pinoy Boy, the world’s deadliest Filipino who is tasked with tracking him down. Angelo, the filmmaker who created them and is struggling to find an ending as the lines between his reality and the film blur. Underground auteur Matthew Victor Pastor, aka MVP, attacks racism, gender, love and serial killing in his most free-form, assured, challenging film to-date; the final chapter of his Filo-Aus Trilogy.

Set sometime in the not-too-distant future, after the worldwide crisis of 2020, Mandy is a 17-year-old Filipino Australian. In her final year of high school and dealing with her parents impending divorce, she navigates a world driven by a new normal of isolation and fear. Added to this she has a crush on her tutor Serena. Meanwhile, a young girl from the backstreets of Manila tells her story.

March 2020, a worldwide catastrophic event unfolds, as an ensemble of young migrants' lives fall apart. Libra stares down the drop of a tall building, Razor deals drugs for flights back to the Philippines, Amanda is the survivor of an assault, Ying arrives from China, and Lit Phil is on the run. Meanwhile a young man with dark desires roams the streets. Through the chaos these lives will cross paths and a pencil will be taken to the jugular.

It’s Valentine’s Day, 2012 in Melbourne, Australia. A Vietnamese prostitute named Pisces is conned to her cocoon. She searches for true love, and the search which will define her.

In this striking meditation on the Australian migrant community, a Filipino teenager follows his mother through the bleak landscape of Melbourne’s northern suburbs.

Sammy is a teenager with disenfranchised violent men all around him. Kate watches Sammy from across the hall of their commission flats. This is the story of their inevitable demise. Based on the creator child abuse and funded through screen Australia diversity fund.

Masculinity, race and boyhood simmer in this stylish slow-cinema debut about a Filipino-Australian father and his six-year-old son, who are navigating a family divorce. Exploring the complexities of family, society and culture that shape young Filipinos, this feature debut from rising filmmaker Caleb Ribates depicts the tender relationship between an immigrant father and his young son as they deal with being abandoned by the boy’s mother. With its evocative black-and-white cinematography, long takes and naturalistic dialogue, Anak follows in the footsteps of slow-cinema masters like Lav Diaz and Apichatpong Weerasethakul, while finding an intimacy and tonal register that is all Ribates’ own.

Ho Chi Minh City, Vietnam. A boy sits in a run down hotel. A girl rides a motorcycle through the darkness. This is their story.

There is a video of racist attack filmed in Melbourne and posted on Tik Tok. The viral video with millions of views and thousands of hate comments sends the filmmaker who filmed the incident into an existential crisis. This is his story.

Ria and Amos are married Filipino migrants who are having their Australian VISA processed amidst the housing crisis and unprecedented increases to cost of living in 2025. Due to work commitments, they live a long drive away from each other. Struggling with rent, agent fees and the financial commitment it takes to build a pathway to permeant residency, Ria receives a phone call that will make the road forward much more difficult to travel.

As a nation votes to discover its identity, a family struggles to find its own.

Set in Australia, Love with the Poet is an experimental visual feature based on five poems that reflect youth loneliness.

A Bigger Jail is a psychosexual thriller about a murderer released from prison and a young married couple with a secret fetish. Set over the course of 3 days their paths will cross through the intimacy of sex and violence, with consequences that will leave them changed forever.

A young man stands naked facing the audience. He is Asian. This is MADE IN AUSTRALIA.