A Place of Rage

Four Black and Third World women artists, among them African American feminist poet Audre Lorde and Palestinian performance artist Mona Hatoum, speak forcefully through their art and writing.

Made in memory of Kalbinder Kaur Hayre, a young British-Indian woman murdered in 1985 in a racist attack in England, Sari Red examines the effect of the ever-present threat of violence upon the lives of Asian women in both private and public spheres. In this moving visual poem, the title refers to red, the color of blood spilt and the red of the sari, symbolizing sensuality and intimacy between Asian women.

Using a blend of magic realism and realist drama, Memsahib Rita looks at the physical and emotional violence of racism. Shanti is haunted by both the racist taunts of nationalist white youths and the memory of her white mother.

FLESH AND PAPER is a lyrical exploration of the sense and sensibilities of Indian lesbian poet and writer, Suniti Bamjoshi. This moving and powerful portrait of a unique and brave woman weaves Namjoshi’s life and writings into a sensual tapestry. Born into an Indian royal family, Namjoshi discusses her reasons for leaving India (she fell in love with her best friend), and her experiences as a cultural outsider in the U.S. Showing how “language invents worlds,” her vision as an Indian lesbian feminist is informed both by a lesbian consciousness and a deep Indian cultural framework. A prolific writer who has been widely published in the U.K., Canada and India over the past twenty years, Namjoshi’s poems, fables and novels are characterized by her wit and wry, satirical sense of humor. FLESH AND PAPER, captures the spirit of Namjoshi’s poetry in an evocative, multi-layered way.

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

WARRIOR MARKS is a poetic and political film about female genital mutilation from the director of A PLACE OF RAGE, presented by the Pulitzer Prize winning author of THE COLOR PURPLE and POSSESSING THE SECRET OF JOY. Female genital mutilation affects one hundred million of the world’s women and this remarkable film unlocks some of the cultural and political complexities surrounding this issue. Interviews with women from Senegal, Gambia, Burkino Faso, the United States and England who are concerned with and affected by genital mutilation are intercut with Walker’s own personal reflections on the subject.

A feisty young woman returns to Glasgow to run her deceased father's curry house.

A rousing portrait of feminist writer Andrea Dworkin, one of the most controversial and misunderstood figures of the 20th century, who fought passionately for justice and equality for women.

Jodie is a fast paced, breezy look at the transatlantic phenomenon that has made Hollywood actress Jodie Foster an icon for lesbians who identify with, adore and celebrate the screen personas of her remarkable career.

The compelling story of an extraordinary woman's journey from her birth in a paper thin shack in the cotton fields of Georgia to her recognition as a key writer of the twentieth Century.Walker made history as the first black woman to win a Pulitzer Prize for her groundbreaking novel, The Color Purple.

The Righteous Babes shows how the self-affirmative music of young women is renewing the 90's feminism. In the film, audience can experience feminism not in the library but in the rock concert hall. The film shows interviews and performances. In addition, controversial feminists along with American and British women journalists share their views on pop culture.

A rare and lively examination of disability and homosexuality as it affects both women and men, Double the Trouble, Twice the Fun advocates for acceptance rather than pity for participants in this video. Interviews with a wide range of disabled lesbian and gay people are inter-cut with dramatic recreations and performances.

A woman searches for emotionally safer sex via gay bars and the internet.

Khush means ecstatic pleasure in Urdu. For South Asian lesbians and gay men in Britain, North America, and India, the term captures the blissful intricacies of being queer and of color. Inspiring testimonies bridge geographical differences to locate shared experiences of isolation and exoticization but also the unremitting joys and solidarity of being khush.

Through a series of interviews with leading British AIDS activists and cultural theorists, this documentary investigates the way in which AIDS has been used by the media and by the government to increase state harassment of gay men and lesbians, black people and women. Framing the problem in terms of a left politic, the tape reveals how both homophobia and puritanism have been responsible for the slow government response to AIDS.

A young South Asian woman walks through the city of Glasgow, once the second largest city of the British Empire. Her eyes reflect on the wealth symbolised in the textures of the city’s architecture. Signs of Empire ever present in the stone freizes, imposing cast iron statues of dead colonialists, ornate pillars and the opulence of marble. Against histories of colonial carnage, Asian people build our communities and cultures, forging identities of self-affirmation. Against echoes of colonial memories is the living memory of today’s cultures of resistance: through dance and music, young Asian people celebrate desire and self pride. Bhangra Jig disrupts dominant notions of European culture and offers new meanings of what constitutes national cultures and identities, of what it means to be Asian, British and European. It was a four-minute television intervention piece, commissioned by Channel 4 celebrating Glasgow as the European cultural capital for 1990.