The Whisper of the Jaguar

When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create sounds for a commercial featuring a horse, and then a horsetail starts growing out of her body. Empowered by her tail, she lures a botanist into an affair, through a game of submission. Piaffe is a visceral journey into control, gender, and artifice.

Every weekend at an illegal drag show in the suburbs of Havana, Sebastián, a 17-year-old Cuban teenager, transforms into 'Mila Caos', his empowered, flamboyant alter-ego. When he returns to his daytime self, Sebastián suffers from his mother's indifference, dreaming that one day she will see him on stage for who he truly is.

A Berlin artist, experimenting with life as an extraterrestrial, witnesses the murder of a prostitute and transforms into a mutant femme-fatale avenger.

From Mennonite musings on the Amazonian pampas to wild Havana nights and bittersweet Rio love songs, if a roller-coaster of same sex desire is what you seek, The Latin Boys will take you there. The 6 short films are: Unicorn [Unicornio] (2014); The Good Friend [El amigo] (2017); Mila Caos (2011); Pray for Us [Ruega por nosotros] (2019); Carlito Leaves Forever [Carlito se va para siempre] (2018); I Am Yet to Make You a Love Song [Ainda Não Lhe Fiz Uma Canção de Amor] (2015).

A foley artist creates sounds for a film starring a dressage horse, with a thrilling performance from queer artist and performer Simon(e) Jaikiriuma Paetau.

In the middle of the Colombian coffee region, Aribada, the resurrected monster, meets Las Traviesas, a group of indigenous transwomen from the Emberá tribes. The magical, the dreamlike and the performative coexist in their unique world - an aesthetic and spiritual universe in which documentary and fiction merge into a transcultural narrative. Enchanted by the beauty and power of their jais (spirits), Aribada decides to join Las Traviesas in creating their own trans*futurist community.

A series of drawings are used as a score for ating. These images portrait different representations of the devil in hell. Among these devils, there are feminized characteres suggesting sexual perversions typified in the Catholic imagination. Performer Paeatau interprets and reacts to these drawings using her body and her facial expressions in a ritualistic performance in which the body, fetichized and colonized by morale, laments.

Inspired by the Parables of the African-American futurist author Octavia E. Butler, the film interweaves her worlds with contemporary issues of environmental degradation, far right extremism, and social liberation. The poetic piece expresses a queer utopian imaginary, a longing to create out of the old something new.