Mode in France

The portrait of Eldridge Cleaver, the "Minister of Information" for the Black Panthers movement, in exile in Algiers.

Filmmaker William Klein takes on Handel’s Messiah and has created a concert film that mixes the sacred with the profane. Performed in its entirety, the oratorio provides a narrative of Christ’s nativity, passion and resurrection juxtaposed against images of absurdities and abuses against the human species across the world. The film reveals a wide array of worshippers from the Bodybuilders of Christ to the Lavender Light Gay and Lesbian Interracial Choir to the Dallas police choir.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Roland-Garros, 1981: For the very first time, a documentary team is allowed to shoot sequences in the backstage of the French Open of tennis of Roland-Garros. William Klein's camera takes us on the heels of the greatest players of the time: Björn Borg, Jimmy Connors, Ivan Lendl, Chris Evert-Lloyd, John McEnroe, Martina Navratilova, Yannick Noah, Guillermo Vilas... Miles of film. Historical pictures, a thousand and one details, a thousand and one unusual scenes. A declaration of love from a tennis lover.

Filmmaker William Klein documents the Paris student riots that occurred in May of 1968.

In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.

The portrait of an extraordinary French dancer-choreographer: Jean Babilée (1923-2014) is filmed at home, in the streets of Paris, at the Opera Garnier or at the Champs-Élysées Theater, “always caught, even in his kitchen, in full body work”.

An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.

An biography of William Klein, Parisian-based American photographer which strings together his abstract paintings, mould-breaking reportage, inventive fashion photos and excerpts from his feature films.

A model tells a television crew about her dreams of a life with prince charming all while fending off the lecherous advances of a horde of men.

Universally accepted as a true icon of the 20th century, Muhammad Ali’s phenomenal achievements spanned sport, politics and religion. One man – photographer William Klein had comprehensive access to the events that shaped Ali’s legend. In 1964, the young gregarious Cassius Clay successfully defeated the seemingly invincible Heavyweight Champion of the World Sonny Liston – the manner of Clay’s victory and his amazing persona made him an instant superstar. Through this incredible period, and Clay’s subsequent rematches with Liston, William Klein enjoyed unrivalled access top Clay’s camp – witnessing at first hand Cassius Clay becoming Muhammad Ali and angering the American people with his allegiance to Islam. Forward to Zaire 1974, and the return of Muhammad Ali to the world stage to face another invincible champion George Foreman. As Ali reclaimed the crown for a second time, Klein was ever present, capturing the full story at close quarter.

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Mr. Freedom, a bellowing good-ol'-boy superhero decked out in copious football padding, jets to France to cut off a Commie invasion from Switzerland. A destructive, arrogant patriot in tight pants, Freedom joins forces with Marie Madeleine to combat lefty freethinkers, as well as the insidious evildoers Moujik Man and inflatable Red China Man, culminating in a star-spangled showdown.

In 1977 France, the Ministry of the Future chooses two “normal,” white, middle-class citizens, Claudine and Jean-Michel, for a national experiment. They will be monitored and displayed on television for six months in a model apartment outfitted with state-of-the-art products and nonstop surveillance—the template for “a new city for the new man".

Part II of a compilation movie featuring European T.V. commercials directed by a variety of well-known directors from across Europe and the U.S. Compiled and produced by Jean-Marie Boursicot.