Torres

A man from a village in the interior of portugal is back to visit the family that is left. But the true reasons for his return are not clear.

Téo, a lunar teenager, meets the new parish priest of his rural village, who has just arrived from Mozambique. As the two grow closer, they develop a spiritual bond steeped in attraction.

While the young captains lead the revolution in the streets, the people of Fontainhas search for Ventura, lost in the woods.

A group of skaters take refuge in a shopping mall, making it their playground. As they spend time skating the empty hallways, the stillness creeps in. It's a dead end.

Filmed in one of the remaining social housing towers of Aleixo (Porto, Portugal), “Bicicleta” tells the story of a family living under economic pressure.

In a parallel world Pedro tries to hack his way into joining an exodus to another planet. While he dwells in his dreams and frustrations of being left behind he meets Eva, who challenges him and forces him to come to terms with his purpose.

What do you do with the desire that is just awakening? At dance performances, in concerts, during sports, while skating, eyes are searching and bodies are exposed. Each space possesses its own choreography, its own music. Almost without words desire and rejection, hope and disappointment become tangible.

Benjamin is trying to raise money through informal exchanges so that he can organize his son’s overdue birthday. Filimone is visiting his family between war missions, trying to be present at the growth of his three daughters. Eulália is a mother of six and gives birth to a new premature baby. Some days after, she has to come back to her job in a landfill.

Amid dynamics of power, desire, and seduction, Ofélia follows two teenagers who discover their mutual attraction on the threshold between adolescence and adulthood, while simultaneously seeking to define their identity and place within an everchanging society.

In Mozambique, Izidine, a young police inspector, is called to investigate the murder of Vasto Excelêncio, the director of a nursing home built within the walls of an old colonial slave fortress. He is shocked when all the elderly residents, as well as the head nurse, Marta, confess to the murder. Each one has motive, given Excelêncio’s abusive behavior. With only a week to solve the case, the detective slowly unravels truths about the murder, Mozambique's colonial past, and himself.

One sleepless night, Emília recalls a childhood trauma. Amidst the burning memories, she visits her parents, her sister, Manuel and all the places of her solitude.

While spending holidays at his grandparents’ place in the countryside, a boy learns a cruel lesson of mercy.

In a village where time and space run out, a child dwells in the death vortex.

50|50 looks at the frustrations and triumphs that couples still encounter as they try to find a balance between raising children and working. Each story unveils the obstacles and prejudices that men and (mostly) women still have to overcome. This documentary sheds light on the roads to conciliation, giving voice to ambitious, career-oriented women, but also to couples who are struggling to have children or to share their unpaid domestic duties fairly. 50 | 50 evaluates the advancements accomplished while also questioning whether the ongoing progress is sufficient in light of the times we live in.

Everyone remembers well that night of the burning pigs. José was born the morning after, and some say that he came from that fire, and became man out of the pigs. When his mother dies, José leaves the village for the first time, in search of something more.