The Name is not the Thing named

Images of the austere Icelandic landscape form the backdrop for readings from a series of letters written at the turn of the 20th century. Majestic waterfalls, open plains, a ship loaded with protesting sheep, a boat in icy waters, snow capped peaks, and icy roadways are punctuated with Hetty’s ironic stories of quotidian events with her female companions. Her accounts are juxtaposed against historic texts about the Icelandic people overcoming the cataclysmic forces of nature. - MoMA

The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.

A meditation on freedom and technological approaches to manifest destiny.

From its distinctive neighborhoods to its architectural homes, Los Angeles has been the backdrop to countless movies. In this dazzling work, Andersen takes viewers on a whirlwind tour through the metropolis' real and cinematic history, investigating the myriad stories and legends that have come to define it, and meticulously, judiciously revealing the real city that lives beneath.

Evolution and extinction from the point of view of rocks. A humid take on minerals, where sci-fi meets sci-fact. The geo-biosphere is a place of evolutionary possibility, where humans disappear but life endures.

Adil Hoxur, descended from a line of Dawaz tightrope artists, performs nightly with his troupe in China’s Taklamakan desert, among the Uyghurs, a Turkic Muslim people seeking religious and political autonomy. Shot over four months, this experimental documentary takes shape as a travelogue, ethnographic visual poem, and advocacy video for the preservation of a traditional art form. - MoMA

From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a miniature version of America. Deborah Stratman’s experimental documentary explores how physical landscapes and human politics can each re-interpret historical events. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism, and resistance. Who gets to write history—physical monuments, official news accounts, or personal spoken-word memories?

A night flight through hysteria and police surveillance in suburban America.

The urge to relieve a winter valley of permanent shadow and find gold in alluvial gravel is part of a long history of desire and extraction in the far Canadian north. Cancan dancers, curlers, smelters, former city officials, and a curious cliff-side mirrored disc congregate to form a town portrait. Shot on location in Dawson City, Yukon Territory.

An experimental documentary about the street drag racing scene on Chicago’s Near West Side. This is a rambling, textured film about obsession. It is about the mythos of speed for its own sake, and it is about waiting. While waiting, The BLVD exposes community, inner-city landscapes and nomadic experiences of place. The film treats storytelling as a living medium for determining history. And it commands respect for those who transform cars, or anything else, through passion.

A video letter to Nancy Holt, made in homage to a shared interest in terminal lakes, framed views, monuments and time. Filmed on and around the Great Salt Lake, Mono Lake and Meteor Crater.

Both a letter to a cancer stricken, alchemist-filmmaker friend, and a quiet tribute to the vanishing art of celluloid, "The Magician's House" is full of ghosts. Including that of Athanasius Kircher, inventor of the Magic Lantern or "Sorcerer’s Lamp". The music, La lutte des Mages (The Struggle of the Magicians), was composed by Armenian mystic Georges Gurdjieff and Thomas De Hartmann. Gurdjieff thought of man as a kind of "transmitting station of forces." To him, most people move around in a state of waking sleep, so he sought to provide aural conditions that would induce awareness.

A flicker film made with images taken in Malawi. FF was in response to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which they invited artists to make a “Future Film”.

The frenzied detritus of trading floors, smart weaponry and the religious right are woven through the petrochemical landscapes of Southeast Texas. This short video harangue questions land use policy as it serves the oil industry, patriotism as it absolves foreign aggression, and fundamentalism as it calcifies thinking.

Obscure signs portend a looming, indecipherable slump. An oracular decoding of the landscape.